suffering

Should You Sing ‘Hard Fought Hallelujah’ at Church? A Worship Song Analysis

/ Jason Henry / 3 Comments

We don’t see many lament songs in the church these days, particular not in the CCM worship genre. I think the problem is that we are (mostly) comfortable in our lives, and we don’t like to think about suffering or hardship. We do sometimes acknowledge pain or difficult circumstances in our worship songs, but we can’t resist turning that mourning into dancing. We know Easter is coming, so why linger on Good Friday?

There’s some wisdom in this tendency. We do know how the story ends, and that ending is Christ victorious, death and darkness defeated, the church united with God forever in the new creation. We need to remind each other that this future is coming. But sometimes, we can’t or shouldn’t move on from our grief so quickly. I think what’s special about “Hard Fought Hallelujah” is that when it praises God, it does so from the depths of the struggle rather than from a safe, happy vantage point on the other side.

“Hard Fought Hallelujah” is the work of Ben Hastings, Brandon Lake, and Steven Furtick, all veteran songwriters. Lake and Furtick are both associated with Elevation Church, and Hastings is a longtime Hillsong Worship musician. Together, they craft a song that is poignant, honest, and still manages to get stuck in your head.

But is “Hard Fought Hallelujah” biblical, and will it worship? Let’s take a look!

Focus

This song expresses the experience of bringing praise to God in the midst of suffering and struggle.

God’s character is secondary in this song. He’s only addressed in the chorus by the word “hallelujah” and in the line: “God, You’ve been patient/gracious.”

For some, the fact that this song is primarily about the human experience of praise in suffering means that it is too self-centered to be appropriate for corporate worship. I wouldn’t disqualify it on that basis alone, but it’s something to be aware of when you’re planning your worship set.

Lyric Analysis

VERSE 1
This is a common sentiment in worship songs. We don’t always feel like praising God, and that’s when we especially need to. This feels like the attitude of the Sons of Korah in Psalm 42. From the depths of despair and discouragement, the author sings to his own soul, reminding himself of God’s salvation.

PRE-CHORUS 1
There are times when praise, as expressed through the raising of hands, is a natural outpouring of our hearts’ delight in God, and there are times when it takes a great deal of effort, and when we have to discipline ourselves to worship despite not wanting to.

Lake observes, “there are times that it costs,” and he’s right. Romans 12:1 teaches us that true worship is offering our bodies as living sacrifices to God. Rather than just giving a little bit of time or a little bit of money to the Lord, we are called to offer our whole selves. We feel this cost keenly when we are invited to worship but feel pain, resentment, or anxiety preventing us from coming to God in gratitude and love. Worshiping in the midst of struggle is a hard sacrifice, and one that God cherishes.

Of course, in any congregation, there are many who never sing, and many more whose hands would never go up freely. This song provides a teaching opportunity to encourage people who don’t like participating in music to consider lifting their voices and hands to God despite the discomfort. Participating in this way also shows solidarity with those who are struggling like this song describes.

CHORUS
“I’ll bring my…” The chorus expresses a commitment to praise God no matter the circumstance and no matter the cost. We’re determined to bring praise to God, even though that hallelujah has been beaten up, knocked around, and somehow refined and strengthened by our struggles. This part of the song reminds me of Lake’s “Gratitude,” because it uses the word “hallelujah” to represent not just a song of praise, but a heart that chooses to worship God no matter what.

Hard-fought: This line represents the core idea of the song: sometimes we have to fight to praise God. But is this true, and is it in the Bible? I think it is. There are numerous examples in Scripture of God’s people fighting to praise him. Moses fought Pharaoh to allow the Israelites to go worship God in the wilderness. Paul and Silas praised God in prison, and their chains fell off. Daniel prayed to God daily even though it would land him in a deadly lion’s den. Ephesians 6 teaches us that we are always embroiled in a spiritual struggle against the forces of evil, and praise is a weapon in that fight.

Heart-felt: Jesus taught that worship is in spirit and in truth (Jn 4:23-24). Paul tells us that we ought to sing to God in our hearts (Eph 5:19). While worship is not about feelings, true worship will produce an emotional response in the worshiper. God is good, and he has done great things, and that ought to do something to our hearts.

Been-through-hell: The songwriters are using a loose definition of the word “hell” here. I don’t think any of them would claim to have literally visited the lake of fire. Instead, they’re using it as a description of serious suffering in this life. When you’re in severe emotional or physical pain, you’re all alone, and it feels like God is distant, that’s a picture of hell. This is relative, and we could quibble over what level of suffering really counts as having been through hell.

For many churches, this line will immediately rule out this song for congregational worship. “Hell” is a common profanity in our culture, and this line comes uncomfortably close to casual use of the word. Many Christians have the conviction that the word hell should only be used to describe eternal separation from God.

I also think using “hell” to describe our suffering muddies the waters regarding the nature of our suffering. When Christians experience suffering, we do so with God near at hand, not distant. Later in the song, the authors allude to suffering as a refining fire that improves our faith. This only happens through the presence and work of the Holy Spirit. Hell has connotations of finality, wrath, and damnation that I don’t think are appropriate to the kind of pain the authors of this song are describing.

Storm-tossed: I like this image better. The disciples and the apostle Paul experienced perilous storms on the sea. For the disciples, the Lord himself was with them, and he calmed the storm with a word (Mt 8:23-27). When Paul was on the way to Rome, his ship was destroyed in a storm, but God’s hand protected every living soul onboard (Ac 27:13-44). Storms may be terrifying, but our God is greater than the wind and waves, and he is always in control.

Torn-sail: A natural consequence of the storm-tossing. But this line focuses on how our experiences may have beaten us up and left wounds, either emotional or physical.

Story-to-tell: This is great. Praise isn’t just singing hallelujah in church. It’s being willing to tell others what God has done for us and how he’s brought us through our hardships.

Patient/gracious: In the midst of this description of everything our hallelujah has been through, we take a moment to pause and dwell on God’s character. He is patient, perhaps most so when we get angry at him during our suffering. And he is gracious toward us, extending his love and salvation to us no matter our circumstances or emotions, even if we have brought them on ourselves.

It is well: Because of God’s character, we can have the incomprehensible peace that comes from his Spirit, even in the midst of trials (Phil 4:7).

VERSE 2
The words here are poetically vague. Struggling with darkness might describe a battle with temptation, depression, illness, persecution, or almost anything else. In any case, the authors acknowledge that the struggle helps to cultivate humility. Paul makes this same connection in 2 Corinthians 12:7.

PRE-CHORUS 2
The image of a fire that refines gold comes from Malachi 3:1-4. This passage is about the Messiah, and it predicts that he will burn away all the impurities of Judah, her priests, and her worship. What comes out the other side will be pure like gold, though the process will be very painful. When we submit to the Lord in our suffering, it can have this same refining effect on us. James says as much when he tells us to rejoice when we face trials, because God will use them to cultivate perseverance in us and to perfect and complete our faith (Jam 1:2-4).

BRIDGE
Oh, oh, oh. Whoa. Oh, oh, oh. Whoa.

Accessibility

One of the strengths of this song is that it expresses deep experiences of suffering coupled with praise without getting lost in churchy language or hard-to-follow biblical references. I think most people would be able to understand the lyrics even with limited church background. The exception might be the word “hallelujah.” I think it’s become a generic word of celebration in our culture, divorced from its original meaning of “praise the Lord.”

I don’t think unchurched people will mind the metaphorical use of the word “hell.” In our culture, hell just means suffering. It’s only church people who will be bothered by that line.

The melody is kind of hard to follow, and the rhythms are a little tricky. The range is an octave plus a fifth, which isn’t unusual for a worship song, but it’s also pretty wide. Overall, I think this feels more like a blues solo type of song than a congregational worship song.

Music

The rough blues feel of this song is a perfect match for its lyric content. It expresses the pain as well as the resolve to keep fighting to praise God in every circumstance. This song uses contrast and dropouts exceptionally well to really dig into the words on the chorus.

Most of the song is reasonably playable for a church worship team except for the crazy instrumental bridge. I would probably skip that part.

Conclusions

This is tough. There is so much good about this song. I love that it captures the spirit of lament in a way that we often overlook in contemporary music. The blues style is also largely missing from our (white) churches. This song has a lot to teach about the complex relationship between praise and suffering. It is a valuable song that Christians should definitely listen to and meditate on.

No judgment to churches who continue to sing this song, but I think I have to regretfully land on a soft no. Here are my three reasons:
1. This song is more about the experience of praise than about the object of our praise. It’s about the hallelujah more than it is about God.
2. It’s going to be hard for the congregation to sing along. There’s only so much time on Sunday morning, and I want people to participate in as much of it as they can.
3. I just don’t like the “hell” line. I think it will offend/distract people. I also think it causes confusion about whether our suffering is wrathful hellfire or the merciful fire of God that refines us.

Let me know what you think! Thanks for reading, and thanks for thinking about what you sing! Until next time.

Image by Torsten Dederichs on Unsplash

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

KIND – Cory Asbury

/ Jason Henry / Leave a comment


I’ve been a Cory Asbury fan since his IHOP days. “So Good to Me” and “Where I Belong” were impactful songs for me during my high school days, “Reckless Love” is a classic, and “The Father’s House” is one of my recent worship faves (I should really write blogs about both of those. Everybody loves to argue about whether God’s love is reckless or not! 🤓). But “Kind” isn’t just a Cory song; it also benefits from the writing talents of Jesse Reeves, Paul Mabury, and Steve Fee.

I stumbled upon “Kind” when my wife sent it to me on TikTok in February this year. Since then, it’s been published on his most recent album Pioneer. A far cry from the goofball antics that often populate Cory’s social media, “Kind” is a heartbreaking testimony of trying to find God’s goodness in the midst of sin and pain. In this blog, I’m not just trying to discern whether a song is true or good but whether it will be beneficial in most corporate worship services. So, is “Kind” biblical? And is it appropriate for Sunday worship? Let’s find out!

Focus

This song is about our doubt, sin, and pain, and God’s response of kindness toward us, specifically in the cross of Christ.

“Kind” spends a lot of words talking about “me.” It takes a first-person perspective to intimately reflect on our thoughts, feelings, and experiences. But I don’t think that makes it a self-centered song. The simple phrase “all He’s ever been is kind” stands in sharp contrast to the many words of our striving, failing, and questioning. God’s kindness is magnified by our desperate need for it.

This song mostly refers to God as “He,” assuming that we will know who it’s referring to. In case we don’t, Jesus is identified by name in the chorus.

Lyric Analysis

VERSE 1
The first verse addresses some of the most painful circumstances we experience in this life: divorce, loss of a child, addiction, and praying for healing without receiving it. Rather than making truth claims, this verse expresses personal experience. The singer admits to having doubts about God’s existence and his character, wondering how he decides who should receive healing.

I have mixed feelings about expressing this kind of doubt in worship. On the one hand, everyone experiences doubts on their faith journey. Many people in the Bible also express pain and doubt, including Lazarus’ sisters, David, the psalmists, the Teacher in Ecclesiastes, and Job. While each worshiper may not have suffered the same experiences as the songwriters of “Kind,” this verse casts a wide net for the kinds of things in life that lead us to doubt God. Acknowledging these doubts together in worship reminds us that we’re not alone, and that our doubts don’t make us “bad” Christians or condemn us to hell.

A friend and colleague asked me recently about worship songs for people struggling with their mental health. I found that almost all the songs we sing are positive and celebratory. Even those that acknowledge our pain and sin end on a note of victory. In a sense, that is appropriate, since we believe that the victory of Jesus is the ultimate destiny of creation. But in the here and now, ending every song on a happy note sometimes negates the pain and doubt people are still experiencing.

On the other hand, these kind of doubts certainly don’t praise God, so it just feels weird to sing them in church. Is that a real problem or just my discomfort with difficult emotions? I’m not sure. I do know that praise isn’t the only kind of worship. Trusting God with our doubts, fears, and pain honors him too.

VERSE 2
Where the first verse was focused on suffering and bad circumstances, this verse stressed regret for the wrong things we have done. The singer admits to burning bridges with people, abandoning relationships and situations after making a mess of them. This verse acknowledges that God forgives us for these things, but that we often find it difficult to forgive ourselves for our sins. We sometimes feel that we are somehow worse than everyone else, too broken for God to love. Again, these particular experiences and feelings might not be universal, but they are representative.

CHORUS
The chorus describes more personal experiences, mostly paired as opposites. Sometimes the author has fled from God, and sometimes he has hurt people in his zealotry. He’s been patient and insistent in turns. He’s even gone so far as to “curse His name in anger,” the most provocative line in the song.

Cursing God is mentioned a few times in Scripture, most notably in Job. The title character of this book experiences the loss of his livestock, his health, and even his children. Far from encouraging him, his wife tells him to quiet being so righteous and just “curse God and die.” Job refuses, and the text tells us that to do so would have been sin, but the rest of the book shows us his struggle with his faith (Job 2:9-10). The reward for sin is death, but forgiveness and eternal life can be found in Jesus (Rom. 3:23), and he tells us that even blasphemy will be forgiven (Matt. 12:32). So cursing God is not recommended by this song, and it is not something that all Christians have done per se, but we have all sinned, and we have all dishonored God sometimes in response to our pain and circumstances.

The chorus also contains the primary truth claim of this song: “all He’s ever been is kind.” But is God only ever kind? Paul seems to push back on this in Romans 11:11-24. In verse 22, he says, “Note then the kindness and the severity of God: severity toward those who have fallen, but God’s kindness to you, provided you continue in his kindness. Otherwise you too will be cut off.” So those who cut themselves off from God experience his severity, and those who remain in him experience his kindness. But in the very next verse, we learn that even God’s punishment is intended to bring people back into his family: “even they, if they do not continue in their unbelief, will be grafted in, for God has the power to graft them in again.” There is kindness even in the severity of God.

So the chorus gives us opportunity to acknowledge the ways we have sinned against God, and it tells us that he responds to all of our failings with kindness. At the end of the song we replace the line about cursing God with the admission, “He knows I don’t deserve it, but He’s never changed His mind.” This echoes Paul’s words in Romans 5:8, “God shows his love for us in that while we were still sinners, Christ died for us.” Even in the midst of our rebellion and failures, God maintains faithful lovingkindness towards us.

BRIDGE
God’s kindness is not squishy or passive. He does not ignore our sin, but instead bears it himself on the cross. God’s kindness is at the expense of his own Son, also God himself, dying a criminal’s torturous death. This stark image shows us that God’s kindness is not cheap, not will it be mocked or taken advantage of. It is a serious kindness, bent on our redemption at any cost.

Accessibility

The meaning of this song is clear to anyone: God is kind even when we doubt and even in the midst of our pain. There is some risk of misapprehending the line “all He’s ever been is kind,” as an endorsement of cheap grace or a vision of God lacking justice, wrath, or discipline. The bridge does much to counteract this concern. I think a lot of people will be uncomfortable singing, “I’ve cursed His name in anger.”

The range of this song is an octave and a second, which is actually pretty small for contemporary worship. I don’t find the verses especially easy for a congregation to pick up immediately, but the chorus is catchy and 3 times is likely enough to pick it up.

Music

Like the rest of the Pioneer, “Kind” has a country flavor. It relies on acoustic finger-picking, some light snare work (probably with brushes), and simple piano chords for the rhythmic backbone. Steel guitar, bass, and “ooh” vocals fill out the soundscape. The simple, subdued instrumentation is this song’s strength, and church bands who play it should exercise lots of restraint. This is definitely one of those “fragile egg” songs that will break if you aren’t gentle with it.

The chords themselves are simple, but there are a lot of them, so it’s probably worth a couple minutes to make sure everybody in the band is playing them at the same times. Other than that, the song isn’t rhythmically challenging. The lead vocal has some tricky timing.

Conclusions

“Kind” is a powerful song that reflects seriously on the pain and doubt that are part of the human experience. Rather than explaining or minimizing them, it simply places God’s kindness in their midst and reminds us that Jesus suffered too.

I thought this song was going to be a “no.” I thought the blunt and sometimes harsh descriptions of our doubts and pains were too uncomfortable and personal for a worship service. But if the author of Psalm 88 can say express his feelings of loss and abandonment and doubt before God, then maybe we should too. This song honors the suffering and doubt that all Christians experience in a way that few other songs do, and it presents God’s kindness in a clear and unique way. So then I wanted to say “yes!”

But I can’t get past the feeling that this song isn’t very congregational. I also still feel weird that roughly 1/3 of this song’s 26 lines are about God and his character while 2/3 are about our problems. This song could function very meaningfully in a worship service, but (like many testimony songs) it might be better suited to special music than congregational singing. Not everyone can fully identify with all the problems listed in this song, and many people will have a problem confessing to cursing God’s name in anger when that’s something they don’t believe they’ve done.

So after all that, I think we land in “maybe” territory with this one. “Kind” is a beautiful, valuable, insightful song that will continue to minister to many people in the depths of fear, doubt, and pain. It respects those trials by refusing to give them a trite answer, and it glorifies Jesus by declaring his kindness into the midst of them. But I don’t think Sunday-morning congregational singing is the best vehicle for this song to do its work.

Image by Francisco Gonzalez from Unsplash

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.