sending

Sun Up, Sun Down: Is ‘Praise Out’ Biblical?

/ Jason Henry / Leave a comment

I found “Praise Out” this week in the new releases carousel on CCLI SongSelect (one of my favorite places to find new worship songs!) I wasn’t familiar with Meredith Mauldin or Joel Figueroa, and the album art caught my eye, so I gave it a listen. I haven’t been able to get it out of my head since! If nothing else, Mauldin, Figueroa, Brett Lee Miller, and Marie Elizabeth Welch have crafted an effective earworm with this song. But “Praise Out” is more than that! It’s a joyful (and chill) anthem of God’s faithfulness, and it calls us to a life-rhythm of unceasing worship.

So! Let’s check out “Praise Out” to see if it’s biblical and if it will worship.

Focus

This song offers praise to God for his faithfulness as revealed in the cycles of nature.

“Praise Out” is sung directly to the Creator, mostly addressing him as You. If there was any doubt who “You” is (unlikely), the bridge explicitly calls him God.

Lyric Analysis

VERSE 1
I have to confess some grammatical bewilderment regarding the first two lines. I know what it means, I just can’t quite make the words into a grammatical structure that makes sense to me. I keep trying to make “intricate” into a noun so that it can be a complete sentence, but I probably just let them be poetic fragments and quit worrying about it. Sigh. 🤓

In any case, the first half of the verse is about how the intricate details of God’s created world show his character and intent. His character seems evident: creative, wise, brilliant. But what intent is demonstrated here? The next few lines tell us that his intent is to provide for us, and indeed for the whole creation. The seasons continue in their cycle, and the sparrow continues to receive its food from God’s hand. Because he is our provider, we don’t need to be anxious about our needs being met.

The example of the sparrow comes from the Gospels, where Jesus tells his disciples that not even a sparrow falls out of the sky apart from God’s will and knowledge, and that they are much more valuable to him than sparrows (Lk 12:6-7, Mt 10:29-31). In Matthew 6:26-30, Jesus goes even further, reminding his disciples that God dresses the flowers of the field and feeds the birds of the air, so they should relinquish their anxiety and have faith in God’s provision. And Psalm 84:3 says “Even the sparrow finds a home, and the swallow a nest for herself where she may lay her young, at your altars, O Lord of hosts, my King and my God.” So the sparrow is an illustration that even the humblest creatures are welcome, cared for, and sheltered in the presence of God.

This verse ends with a commitment to be like the sparrow and trust God rather than anxiously seeking to meet our own needs.

VERSE 2
This verse offers our commitment to praise God both publicly and privately. With David the psalmist and even Christ himself, we tell one another of God’s greatness and we praise him in the congregation (Ps 22:22, Heb 2:12). We also express our intent to praise God quietly and privately, as Jesus encourages his disciples to do (Mt 6:6). This ensures that our worship is not performative or a mere response to social pressure. I think most of us will be challenged by this verse, if we listen to it. We may attend church faithfully but neglect our secret time with the Lord. Or we may pray alone but refrain from participating in the collected praise of God’s people. A healthy life of worship must include both!

The end of the verse returns to our nature metaphor, reminding us of the cycle of seasons and flowers blooming in their time. As the flowers give praise in their blooming, so will we give honor to God when we experience blessing and growth. This line also calls back to verse 1 and its discussion of God’s provision. He cares for sparrow and flower alike, so we know he will provide for us.

CHORUS
The chorus is short and simple, with only 14 words. This simplicity allows us to meditate on the layers of meaning behind the sun, the ways that we can praise God in our lives, and the many ways he’s been faithful.

Sun up, sun down: There’s a lot of depth in this simple image! The Preacher of Ecclesiastes uses the rising and setting sun as an example of the enduring order of God’s creation (Ec 1:4-7). God has established the cycles of day and night, the seasons, the flowing of water, and these things endure, unlike man’s time upon the earth, which is fleeting.

The Psalms use the sun to praise God in at least four ways. First, it represents eternity. As the sun rises and sets without fail, without (apparent) end or beginning, so God’s fame and honor will endure throughout all generations (Ps 72:5, 17). Second, the sun represents the timely cycles of creation. God devised these systems and sustains them. The sun only knows when to set because God has established it in its course (Ps 104:19, 74:16). So, it illustrates God’s power and wisdom in creation. Third, the sun is a source of life and blessing, pointing toward God who is the true source of all life and blessing (Ps 84:11). Finally, in Psalm 148, the psalmist summons the sun itself to give praise to God along with all the angels, stars, sea creatures, mountains, trees, beasts, and peoples. All creation sings (literally and/or metaphorically) the praise of God the Creator.

I’ll keep on singing Your praise out: So, along with the sun and all creation, we offer our continual praise from the time we rise to the time we lay down to sleep.

Faithful right now: My first interpretation of this line is that God is faithful right now. As he’s established the seasons and the day and night, as he’s provided for us and been present in the secret and in the open, so we can trust that he’s present in this very moment, whatever we are doing, experiencing, or facing. I still think that’s the primary meaning of this line, but it could also be a commitment on the part of the worshiper. Because of God’s faithfulness, we commit right now to keep singing his praise faithfully regardless of current circumstance.

BRIDGE
“Glory to God in the highest” is the song of the angels who announce Jesus’ birth to the shepherds in Luke 2:14. Joining them, we offer God not only some praise and glory, but the highest praise and glory.

We return here to the picture from Psalm 148, in which everything in creation sings the praise of its Creator. The New Testament reveals that the Creator is Jesus. Colossians 1:16-17 says of Christ, “For by him all things were created, in heaven and on earth, visible and invisible, whether thrones or dominions or rulers or authorities—all things were created through him and for him. And he is before all things, and in him all things hold together.” This bridge invites us to revel in the beauty and rightness of everything God has made coming together to worship Jesus. This is the symphony of creation.

This picture should also carry our thoughts forward to the day of Christ’s return. Right now, the creation is broken, longing to participate in the freedom and glory of God’s children (Rm 8:18-24). But one day, the family will be reunited, the creation will be healed, and the song will be perfect, glorious, and unending.

Accessibility

You don’t need an extensive church background or Bible education to understand this song, but you do need to exercise a little bit of abstract thinking. “Sun up, sun down,” is a metaphor, but it’s not a difficult one to find meaning in. The rest of the song is similar: easy to understand with just a little bit of effort, and deepening in meaning the more that you contemplate and connect different sections to Scripture.

The rhythms of this song are repetitive and easy to learn. The melody is the same, though the big skips on the chorus are a little tricky. The range is 8+5 which is wider than I prefer, but pretty typical for current worship music.

Music

One of the refreshing things about this song is its chill, (mostly) acoustic instrumentation. It’s driven by an acoustic guitar with support from bass, piano, and a drum kit played with brushes. There are some prominent synth effects, but they’re bright, sparkly, atmospheric sounds rather than big pads and horns and strings. As the song continues, there’s some additional electric guitar, and a chorus of background vocals that build in near the end. This song works as well with a single piano or guitar as with a whole band, a valuable trait for worship leaders who find themselves in varied circumstances from week to week.

“Praise Out” has excellent dynamics. I love the way the volume pulls back at the first chorus to focus in on the heart of praise that underlies the words. After that, it follows the normal worship song dynamic progression, getting a little louder for verse 2 and chorus 2, and then dropping down to start the bridge quiet and build from there. I really get caught up in the build on this bridge through the end of the song. It’s like the song keeps ascending as the praise continues ascending to God’s throne.

The chord progression is easy to learn and memorize. The rhythms are easy except for the one syncopated lead line that starts in the intro. The synth stuff can be in a backing track (available on Loop Community and Multitracks) or just omitted. In the recording, Joel does some falsetto on the high notes in the chorus so that the first couple times aren’t as loud, but it could easily be transposed so that this isn’t necessary. Overall, I think this song will be very playable for a volunteer worship team.

Function

Gathering | Word | Table | Sending

“Praise Out” works best as a call to worship. It could also function as a sending song, calling the congregation to live out continual worship, praising God in every moment.

I would pair “Praise Out” with a reading from Matthew 6:26-30 to speak about God’s provision or Psalm 148 to show how all creation offers praise to God. Colossians 1:16-17 would also be a great fit, as it encapsulates the special relationship between Jesus and creation.

Conclusions

Will it worship? Definitely!

“Praise Out” gives us an opportunity to reflect on the constancy of God’s provision, and it does so by referring to nature and its constant cycles in a way that would be at home in the Psalms. It also gives us an opportunity to offer our whole lives to God in praise, reminding us that worship is not just a Sunday-morning song, but a posture of living. The melody is easy to learn, and the words achieve accessibility without sacrificing depth of meaning.

I hope to introduce this song in Sunday worship real soon as it seems especially appropriate for springtime. Maybe you’ll join me!

Image by Olga Filonenko on Unsplash

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

SEND ME – Bethel Music, Jenn Johnson, Chris Quilala

/ Jason Henry / 1 Comment

Image by Se Nuno from Unsplash

I heard this song for the first time this week, and I’m not sure how I missed it up to this point! “Send Me” is from the 2021 Bethel release Homecoming, and is the product of songwriters Jenn Johnson, Brandon Lake, and Kari Jobe Carnes. The recording features the voices of Jenn Johnson and Chris Quilala, which is fine with me; I could listen to Chris sing all day. At its heart, “Send Me” is a simple song of longing to serve and follow the Lord. Let’s dive in together and see how the song applies Scripture and whether it will serve your congregation well in worship.

Focus

The focus of this song is a commitment to serve God. The singer asks to be sent wherever the Lord wants, no matter the cost. This surrender is fueled by the singer’s love for Lord. This song doesn’t name Jesus or God as such, but the whole song addresses him by the title “Lord” over and over again (one of the New Testament’s favorite ways to refer to Jesus), and the clear biblical references leave no room for misunderstanding who we’re singing to.

Lyric Analysis

The tag we will hear throughout this song is a simple prayer, “here I am Lord, send me” These words find their origin in Isaiah 6, when God calls Isaiah to be a messenger for him. Before the call, God gives Isaiah a vision in which he cleanses him from his sin and guilt. God says he wants to send someone, and Isaiah’s immediate response is “Here I am! Send me.” (Isa. 6:8) The Lord goes on to describe the task he has for Isaiah, and it’s not a pleasant one. The people will refuse to listen, and indeed, Isaiah’s words will harden their hearts further. They will suffer greatly, and in the midst of it, God’s words through Isaiah will provide a glimmer of hope.

VERSE 1
Bandaging the broken is part of the example set for us in Jesus’ parable of the Good Samaritan (Luke 10:34). It’s also something God expects of those who would shepherd his people (Ezek. 34:4). I think this idea applies not just to physical injuries, but also mental, emotional, spiritual, and relational wounds. When we seek to help heal people, we are serving God and showing his love.

Jesus washes his disciples’ feet in John 13. Washing feet was a necessary task in first century Middle-Eastern culture, and it also symbolized hospitality, service, and humility. The striking image of God washing the feet of mere men, who should have been serving him, and his accompanying words “If I then, your Lord and Teacher, have washed your feet, you also ought to wash one another’s feet,” have made foot washing an enduring symbol within Christianity of humble, self-sacrificing service.

In John 13:34, Jesus says, “A new commandment I give to you, that you love one another: just as I have loved you, you also are to love one another.” This command surely extends to times when we disagree with one another. That addition feels appropriate and timely, after a particularly fractious couple of years in the U.S. with regard to politics, Covid, and race relations.

VERSE 2
Contented service to God in poverty or in wealth is what Paul is actually talking about in the oft-quoted Philippians 4:13, not winning a sports game. Similarly, mountains often represent the experience of God’s presence (Ex. 15:17) while valleys represent feeling like he’s far away (Ps. 23:4). In either circumstance, we can and should choose to praise and serve him.

CHORUS
“If I’m known by how I love // let my life reflect how much I love You”

We already referenced Jesus’ command to love one another in John 13:34, and now we sing about the natural result of that love. Jesus says in verse 35, “By this everyone will know that you are my disciples, if you love one another.” At first glance, it seems like the chorus of “Send Me” is misapplying this Scripture. It’s how we love one another that shows that we are his disciples, not how much we love God, right? In my opinion, part of the brilliance of this song is in how it blurs the distinction between the two, much like Jesus does. Look at how he gives the same command in a different way in Matthew 22:27-40:

Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’ This is the first and greatest commandment. And the second is like it: ‘Love your neighbor as yourself.’ All the Law and the Prophets hang on these two commandments.”

So loving our neighbor is like loving God. He goes even further in describing the final judgment and the separation of sheep and goats, where he says “Truly, I say to you, as you did it to one of the least of these my brothers, you did it to me.” So loving one another isn’t just like loving God; it’s a big piece of how we love God (Matthew 25:40).

How else does Jesus say we can express love for him? “If you love me, keep my commands.” (John 14:15) That’s why I love the second half of the chorus. We’re expressing a willingness to say yes to Jesus’ instructions, even before we know what they are, just like Isaiah did when he experienced his call. He said “Here I am! Send me,” and then God told him what he wanted him to do. When I sing these words, I’m praying that god will give me that same level of trust and obedience to him.

VERSE 3
“If the truth cuts like an arrow // I will say it anyway”

Now we come to the only line in this song that gives me cause for concern. There’s nothing wrong in it; it just seems like it could be easily misapplied. The Bible says that God’s word does indeed cut like a sword (Heb. 4:12), and I’m not at all concerned with the poetic license of changing a sword to an arrow. And if we read the book of Isaiah, we see that this was a theme of his ministry. God gave him a hard message of judgment to deliver to a stubborn people who ignored and persecuted him. Sometimes the truth is sharp. But we must be kind in how we present the truth. John 1:14 says that Jesus was full of grace and truth. 1 Peter 3:15 says that when we present the Gospel, we must do it with gentleness and respect. Ephesians 4:29 says that our words should be helpful for building others up according to their needs. So yes, sometimes we must speak truth that cuts deep, but we shouldn’t swing that sword around willy-nilly, careless of who we hurt with it. There are helpful and harmful ways to present truth.

Jesus says that when we carry his name, we will face rejection (Luke 6:22). It’s also what Isaiah and many of the prophets faced, as well as the persecuted New Testament Church. For someone who stood firm and declared God’s truth despite the danger to his life, see the story of Stephen in Acts 6-7.

VERSE 4
Those who use the gifts and resources God has given them to serve him will one day hear him say the words, “Well done, good and faithful servant! You have been faithful with a few things; I will put you in charge of many things. Come and share your master’s happiness!” (Matthew 25:14-30) In the same chapter, Jesus makes it clear that the visible difference between those who will inherit the Kingdom with him and those who are banished from his presence forever is whether or not they chose to serve him by caring for people in need (Matt. 25:31-46).

Accessibility

This song has a lot to say, and many of the lines have at least a couple layers of meaning. I think the top layer is very accessible, even to people who aren’t churched or trained in Scripture. For more seasoned saints, I think the scriptural context of some of these words will be apparent, giving deeper meaning.

Like I said earlier, there’s not really any room for confusion about who we’re singing to. This song somehow manages to say “oh I love you” several times while staying firmly out of “Jesus-is-my-boyfriend” territory. That’s hard to do!

Music

“Send Me” is a simple song designed for congregational singing. Some minimalist finger picking on an electric guitar is the main accompaniment to the first half of the song, which completely lacks drums. Instead, we let the prayerful lyrics and the singing of the people carry the song forward. Synths and bass layer in gradually, and in the second chorus we get some cymbal swells. We drop back down for a reverent, longing fourth verse that builds through the tag, “here I am Lord, send me!” This leads into the final two choruses, where we finally get some toms to undergird the declarative lyrics. The recording continues for another 1:45 of ad libs and repeating the tag, but I typically stop it at about 4:45.

The chord rhythm of this song is a little trickier than most praise and worship songs, so be very sure that you have the chord sheet exactly how you want it before handing it out to your players. Watch out for the atypical length of the instrumental between verses one and two. The Ab/C pickup chords at the beginning of each line of the chorus are easy to miss. But with a little practice, the chords are still fairly intuitive and it’s not a difficult song to play. The electric guitar picking that plays under nearly the whole thing also sounds like it wouldn’t be too difficult to pick up. I think the hardest part of this song is going to be restraint. Building volume or adding instruments too early is going to kill the dynamic arc of the song and suck the life out of the final choruses.

One of the real strengths of this song is its singability. The tag line is easy to learn and repeated frequently. The chorus rhythm is straightforward and the melody is mostly stepwise and easy to sing along with, even on a first or second hearing. The song is even pitched for maximum congregational involvement, a relative rarity in worship recordings. its medium-low range should be comfortably within the tessitura of nearly everyone in your church.

Conclusions

Will it worship? 100%

This is a very direct “sending” song designed to prayerfully mobilize congregations for a life of service to Jesus and the Gospel. The lyrics are grounded in Scripture, especially Isaiah’s call to ministry and Jesus’ commands to love God by loving one another. I’m introducing it to my congregation this week, so I’ll have to let you know how it goes!

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.