Passion

Promises or Prosperity? A Biblical Analysis of ‘The Lord Will Provide’

/ Jason Henry / Leave a comment

Zack Shelton introduced me to “The Lord Will Provide” (Brett Younker, Chris Davenport, and Jess Cates) at ICYC last year, and I have to confess a little hesitation toward it in the beginning! Songs about God’s promise to provide for us often feel weird to me. We don’t sing them often in my church, in part because we are concerned about the false promises of the prosperity gospel, and we don’t want anyone to get the wrong idea. But after hearing several hundred students belt out their trust in the Lord to this song, my heart softened! And the truth is, God does promise to provide for our needs and answer our prayers.

So the question is: does this song offer us a valuable way to express trust in God and give thanks for his provision without overstepping and adding to his word? In other words, is “The Lord Will Provide” biblical, and will it worship?

Focus

“The Lord Will Provide” (as the title might suggest) is about God’s generosity in providing for our needs. It calls us to seek God’s kingdom and trust him to care for us rather than worrying about getting what we want or need.

This song freely floats between singing to God and singing to one another. It’s mostly personal, using me/my language to describe the relationship between the individual and the Lord, only acknowledging “us” once in the bridge. God is often addressed as You, and we call him God, our Father, and the Lord.

Lyric Analysis

VERSES
Verse 1 says “I don’t have to wonder; I know what You’re doing.” What he’s doing, in this song and in Scripture, is providing for our spiritual and physical needs.

The verses refer to Jesus’ words in Matthew 6:26-34. He invites his followers to consider the birds of the air and the lilies of the field. The birds don’t save up for winter or retirement, and the flowers don’t know how to sew. If our heavenly Father feeds and clothes them, then we can certainly trust him to take care of us!

One aspect of this story I’ve never considered before is that Jesus chooses living things which have relatively short lifespans for this example. It’s easy to watch a flower sprout, bloom, and fade all in a season. Sparrows (Mt 10:29-30) only live for 2-5 years. God cares for these creatures, but that doesn’t mean they last forever or face no hardship. Indeed, Jesus’ acknowledges our own mortality when he says, “And which of you by being anxious can add a single hour to his span of life?” (Mt 6:27)

PRE-CHORUSES
Each pre-chorus provides a little opportunity to respond in trust to God’s provision. Instead of worrying, we can look to God’s faithfulness. Instead of chasing more, more, and more, we can recognize that God’s love is what really satisfies us. He doesn’t just provide us with enough; he is enough.

A note about anxiety: Jesus gives firm but gentle correction in v. 34 when he calls the worrier “you of little faith.” When someone is in the pit of anxiety, these words can feel like a harsh rebuke, a command to do better, quit worrying, and just have faith! I have a couple thoughts that I hope will help. First, in vv. 31-32, Jesus defines worrying as behaving like godless Gentiles, constantly pursuing their own food and clothing rather than trusting that our Father knows what we need. Second, the solution isn’t just to have more willpower and stop feeling anxious. The way Jesus tells us to combat anxiety is by seeking his Kingdom. That can mean a lot of different things, but all of them involve focusing a little less on ourselves and a little more on other people. I won’t try to fully explore what seeking the Kingdom means here, but a great place to start is the wider Sermon on the Mount, of which this teaching on worry is but a small part. So Jesus doesn’t just tell us to stop being anxious, he gives us a picture of the kind of Kingdom life that will help us entrust our worries to him (1 Pt 5:7).

CHORUS
The chorus is short, sweet, and repetitious. God our Father has all we need, and we can trust him to provide it for us. Another meaning of “my Father has it” could be in the sense of “God’s got this.” If there’s a situation that seems out of control, these lyrics are a reminder that he’s still in control.

These words could certainly be misapplied. I need $50,000 to pay off my student loans. I need my estranged daughter to forgive me. I need policies to change so my family won’t be deported. I need a cure for this disease I’ve just been diagnosed with. These are all legitimate needs, and doesn’t the Bible say, “ask, and it will be given to you?” (Mt 7:7) This is, of course, one of the oldest questions in the world. If God is powerful and cares about me, why doesn’t he give me what I ask for in prayer? To be sure, sometimes, he does! Sometimes the disease is healed and the finances are provided. If we ask God continually for our daily bread, we find that he continually provides it, and that’s part of what this song is about. But what about when he doesn’t? In those instances, I think Jesus directs away from the God-has-to-give-me-what-I-ask-for mentality and toward trust. The answer isn’t that God doesn’t care, or that I sinned so he won’t hear me, or that I don’t have enough faith. If we look at the next few verses in Matthew 7, Jesus says, “If you then, who are evil, know how to give good gifts to your children, how much more will your Father who is in heaven give good things to those who ask him!” And in our main text for this song, he says, “your heavenly Father knows you need them.” We have a God who knows us, and he knows our needs. Even when it doesn’t seem like he’s coming through, he still cares for us and provides for us, and he still has good in store for us.

BRIDGE
We already alluded to this idea: seeking God’s Kingdom is the antidote to anxiety over our own needs. Being focused on loving others and trusting in the generosity of the Father will help us not to be wrapped up in what we think we need. His blessings often look different than we thought they would.

Accessibility

Trusting in God to provide for our needs can go wrong when we fall into two big errors: 1) thinking that he has to give us what we ask for and 2) thinking that when he doesn’t, it’s because he failed or we didn’t have enough faith. Expecting God to always come through the way we think he should is setting ourselves up for disappointment.

“The Lord Will Provide” could be misunderstood in this way, but it offers two correctives. First, the Pre-chorus 2 says that God is enough, and his love will satisfy us. I wish this truth were repeated more throughout the song. Second, it takes our eyes off of our anxiety for our present needs and sets them on God’s Kingdom.

One of the strongest lines in the song is also the most confusing. We’re supposed to seek the Kingdom and its treasures, but what does that mean? I don’t think most people in church really know, and this song doesn’t explain it.

The range of this song is all within an octave! And most of it falls within a 5th! Incredible! The repetitive melodic and rhythmic patterns make it extremely singable and easy to learn. All the bonus points!

Music

“The Lord Will Provide” is in 6/8 with a little bit of swing. It almost forces you to nod your head or sway a little bit. This rhythm draws you in and evokes a sense of steadiness and trust, a perfect match to the lyrics. When the singing starts, the melody paints the same picture. The chorus is insistent with its refrain “my Father has it.” The bridge drives forward, propelling the worshiper forward to seek God’s Kingdom.

This song relies on piano, drums, and bass, adding guitars throughout for more energy. For the most part, I don’t anticipate it being too difficult for beginner/intermediate musicians to play. The drum beat on the bridge is a little offbeat, so it might take some extra practice. The bass guitar does some really cool grooves, but these are not critical and can be omitted as skill requires. The piano lead line at the beginning shouldn’t be hard, but for some reason, it really tripped me up! I especially like having a soprano double the melody for extra power on the bridges.

Function

Gathering | Word | Table | Sending

“The Lord Will Provide” is most appropriate in the second half of the service. After the Word has been presented, the congregation has the opportunity to respond in trust. The challenge to “seek first the Kingdom” also gives this song a missional thrust appropriate to the Sending.

This song would be especially meaningful paired with a reading of Matthew 6:26-34 or 10:28-30. It would make an excellent response song to any teaching about anxiety, trusting God, his provision, or seeking the Kingdom. We’re introducing it right now during a teaching series on money and possessions, and I think it’s a great thematic fit.

It would be cool to see a worship service composed entirely of the Sermon on the Mount and various songs that express and respond to the ideas there. This song would be one of them.

Conclusions

Will it worship? Every single time! (sorry šŸ¤·ā€ā™‚ļø)

I mentioned my concern about assuming God is going to answer all our prayers exactly how we want, the false promise of the prosperity Gospel. But I think “The Lord Will Provide” combats that misunderstanding effectively. It bases its lyrics heavily on Scripture and says what the Bible says without going a step further. It’s hard to argue with that!

We’re singing “The Lord Will Provide” this Sunday, and I’m confident the congregation will be grab onto it quickly to sing their trust and hope in God and his provision.

Image by CĆ©dric VT on Unsplash

Scripture quotations are from the ESVĀ® Bible (The Holy Bible, English Standard VersionĀ®), Copyright Ā© 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

THE DOVE – Kari Jobe, Cody Carnes, Passion, The Belonging Co.

/ Jason Henry / 3 Comments

I don’t usually gravitate toward Holy Spirit songs. I’m not exactly a cessationist, but I grew up with the idea that the Holy Spirit primarily acts as the Christian’s conscience, helping us to know right and wrong, and maybe prompting us to share the Gospel or do something nice for someone once in a while. I often feel that songs focused on the Holy Spirit are too centered on a certain emotional experience or the outpouring of charismatic spiritual gifts.

“The Dove” is different. This song by Andrew Holt, Austin Davis, Cody Carnes and Kari Jobe traces the imagery of the Dove as a representation of God’s Spirit from the beginning of creation to the present. I’ve never seen this particular image drawn out through worship lyrics, and I hadn’t previously made some of the connections this song makes. These things made me excited to try this song out and dig deeper into its meaning! But is “The Dove” Biblical? What do the lyrics mean? And will it worship?

Focus

This song is all about the Holy Spirit, his different roles, and our need for him. It tells the story of Creation, Fall, and Redemption through the dove imagery that appears throughout Scripture. It also considers the connection between Jesus’ work and the presence of his Spirit.

This song touches on all three Persons of the Trinity, especially the Holy Spirit and Christ the Son. The Father is identified less specifically. In a couple places, the song refers to the Holy Spirit as “it,” but

“The Dove” includes the singing congregation as “we,” dwelling on our need and desire for more of the Holy Spirit. In the final verse, the individual “I” finds a moment for humble reflection and an opportunity to personally invite the Spirit to dwell within.

Lyric Analysis

VERSE 1
The story of the Dove begins in Genesis 1. In the very second verse of the Bible, we see the Spirit of God fluttering (or hovering or brooding) over the unorganized, pre-creation waters. The Bible doesn’t speak of a dove here, but saying that the Spirit was fluttering over the waters suggests the image of a bird. This line introduces us to the Spirit’s role in creation.

God speaks, ordering the cosmos in six days, and then after he makes man in his image, he calls the whole creation good. At first, man and woman dwell in the garden with God. We don’t get many details about their relationship in the text, but much later in the Bible, Jesus calls his followers his “friends,” so we see that this is the kind of relationship God desires to have with us (John 15:15).

CHORUS 1
The first chorus is simple. We say that all we need is more of the Holy Spirit. We ask him to give us more. What does that mean? The answer here is pretty subjective, and is going to vary by church and individual.

In my understanding of Scripture, you either have the Holy Spirit or you don’t. You don’t receive 10% of the Spirit at your baptism, 20% when you get really emotional at church sometime, and then the rest at a later date. God dwells within you fully when you turn to him and spiritually join Jesus in his death and resurrection (Acts 2:38).

What can and should increase is the influence and prominence of the Spirit in your life. When I pray for more of the Holy Spirit, I’m joining John the Baptist when he said of Jesus: “He must increase, but I must decrease” (John 3:39-31). I’m asking the Spirit to fill my life with more of his fruitā€”love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control, and to kill the fruit of evil and selfishness within me (Gal. 5:19-20). I’m also asking the Spirit to give me the spiritual gifts I need to serve better in his church. This is the purpose of spiritual gifts: to serve one another (1 Pet. 4:10). So when I ask for more of the Spirit, I’m not exactly asking for more of the Spirit. I’m really offering him more control of my life, and asking for his work to be more and more evident in me.

I briefly wondered if it is wrong to say that all we need is more of the Spirit. After all, we need Jesus and the Father too! But I think that’s a misguided concern. When we exalt one member of the Trinity, we exalt them all. After all, when God the Father exalts Jesus, giving him the name above every other name, he isn’t in any way diminishing his own glory (Phil. 2:5-11).

VERSE 2
Now, “The Dove” addresses the consequences of sin and the Holy Spirit’s response. The songwriters do this through the story of the Flood. This narrative begins with creation so ruined and corrupted by sin that God regrets having made it (Gen. 6:5-7). The Flood destroys all humanity except Noah and his family, and then when the waters begin to recede, Noah sends out a dove. Initially, the dove can’t find anywhere to land because there is too much water, but then the dove brings back an olive branch, and then it fails to return because it has finally find a place to build its nest (8:6-12). In this song, this dove is a metaphor for the activity of the Holy Spirit throughout Scripture. In the Old Testament, God’s Spirit sometimes “rushes upon” various people to empower them in battle or to prophesy. And He finds a temporary dwelling place in the Temple, but then the Temple is destroyed. When we get to the New Testament, the Spirit of God descends in Jesus at his baptism, and this time the dwelling is permanent. Jesus is the true Vine, and we are the branches, nourished in him to bear spiritual fruit and love one another (John 15:1-17). He is our redeemer and the source of our eternal life.

CHORUS 2
This chorus introduces some new material in the form of four titles applied to the Holy Spirit: Truth, Living Water, Helper, and Healer. These titles illustrated four of the main ways the Spirit works in our lives.

The Holy Spirit is the Truth because he teaches us the things of God and helps us to remember Jesus’ words (John 14:17, 14:26). The Holy Spirit is the Living Water that Jesus promises us. He not only satisfies our spiritual thirst, but overflows from our hearts to nourish and refresh others (John 7:37-39). Jesus calls the Spirit the Helper and sends him to us to dwell with us forever, since Jesus is no longer physically present with his people (John 14:16). We need the Holy Spirit’s help to complete the Church’s mission of making disciples and building God’s Kingdom, and he is the fulfillment of Jesus’ promise to be with us in that mission (Matt. 28:18-20, Acts 1:6-8). The Holy Spirit is the source of spiritual gifts, including every gift of healing that God provides (1 Cor. 12:9), and even more importantly, he is the power that raised Christ from the dead and that raises us to new life in Christ now and forever (Rom. 8:11).

BRIDGE:
The Upper Room is where the first disciples received the Holy Spirit on the Jewish holiday of Pentecost. He appeared to them as tongues of fire resting on each of them on accompanied by the sound of a mighty rushing wind. The Spirit enabled them to speak in other languages so that the visiting Jews from all over the world would be able to hear the Gospel (Acts 2:1-13).

In evoking this scene and asking God to pour out his Spirit in the same way, we’re not asking for the same visible manifestations of tongues of fire, rushing wind, and speaking in other languages. Rather, we are asking for the Holy Spirit to empower us for ministry and fill us with his light to shine forth the Good News about Jesus and his Kingdom.

VAMP:
As the third Person of the Trinity, the Holy Spirit is worthy to be worshiped as “holy, holy, holy,” the same cry that never ceases around God’s throne (Rev. 4:8, Isa. 6:3).

Calling God holy means that he is set apart, different from us, morally pure and perfect, sacred. Throughout the Bible, when something unholy (like our sin) comes into contact with something holy, either the holy thing becomes polluted, or in the case of God’s presence, the source of sin is destroyed. Because of Jesus’ incarnation, death, and resurrection, God’s Holy Spirit comes to dwell in us and make us holy instead of destroying us in our sin. The Bible Project has an excellent video that does a much better job of explaining this idea of God’s holiness.

VERSE 3:
Probably my favorite part of the song, this verse connects the work of the Holy Spirit to the work of Christ.

In Acts 2:38, Peter tells the listening multitude “Repent and be baptized every one of you in the name of Jesus Christ for the forgiveness of your sins, and you will receive the gift of the Holy Spirit.” So the presence of the Spirit is possible because of the forgiveness we have in Jesus’ death. Moreover, it is connected directly to baptism, which is our act of joining Christ in his death and resurrection (Rom. 6:3).

For a deep dive into how we are cleansed by Jesus’ blood, see my review on “Thank You Jesus for the Blood.”

At the end of this verse, we finally tie the whole narrative of the Dove together. Throughout the song, we’ve seen the Dove searching for a place to create, or to recreate, and he found a resting place on Jesus at his baptism. Now, that same Spirit is transforming us into the image of Christ! Put another way, Christ is being formed in us (Gal. 4:18-19).

So we see this beautiful picture that the Dove of the Spirit is resting on the image of Jesus being formed inside each one of us. There’s a beautiful sense of completion and rightness here. This is how God intended to dwell among us; it’s been his plan ever since the beginning.

Accessibility

This one’s deep! I think most people will understand portions of the song, but the full meaning isn’t clear without a wealth of Biblical background knowledge. Having said that, this song teaches the story of God from a fresh perspective and a different angle, and it illuminates the work of the Holy Spirit in a way I think is unique and valuable.

People might misunderstand what it means to ask for more of the Holy Spirit, or to ask for another Pentecost, or what “the Christ in me” is, especially if they have been influenced by charismatic or new age theology.

I think the melody of this song is singable and congregational. It repeats itself a lot and is easy to learn, except possibly the bridge.

Music

This song tells an epic story, and it needs some time to do it! The live version of “The Dove” is 10 minutes long, and I’ve managed to shorten it to about 7:00, but that’s all I can do without seriously reducing the effectiveness of the lyrics. With this kind of marathon worship song, dynamics are super important. It’s got to start soft and stay that way for a while, so the lead vocalist needs to support the song with intensity rather than volume. In the second half of the song, a couple of strategic builds accentuate the majesty of God’s Spirit finding a dwelling place with his people through Christ the Son.

The chord progression is familiar and doesn’t pose any particular challenges, except that no one likes to play in Ab, so I suggest lowering it a half step to G. The quick passing chords in the chorus and bridge give the song forward motion. As I mentioned, the lead vocalist has to carry a lot of weight in this song, especially in dynamics and range (octave +5). The instrumentalists shouldn’t have much difficulty with this one.

Conclusions

I knew this one was going to take some analysis, but I feel like I learned a lot about the Holy Spirit through studying this song! “The Dove” is a magical unicorn of a worship song that teaches deep things about God and his story through fresh lyrics and imagery. It never feels stilted or belabored, and it also doesn’t get mushy about the Holy Spirit or focus too much on feeling the Spirit, which Holy Spirit songs sometimes have a tendency to do. It’s congregational, and I think the complexity of the lyrics serve to call the people to a better understanding of God’s Spirit rather than to confuse them. My only concern is the challenge of leading this song vocally.

Will it worship? 100%. I’m grateful for this song and the spiritual nourishment it is providing me and my congregation!

Image by Lenstravelier from Unsplash

Scripture quotations are from the ESVĀ® Bible (The Holy Bible, English Standard VersionĀ®), Copyright Ā© 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

I’VE WITNESSED IT – Passion, Melodie Malone

/ Jason Henry / Leave a comment

Listening to this year’s Passion album (also called I’ve Witnessed It), this song struck me with its commitment to action in the closing lines: “I’ll tell them what I’ve witnessed.” What a bold exhortation to share your story! Melodie Malone sings this track live from Passion 2023, and she has a writing credit along with Austin Davis and Andrew Holt. Let’s see if “I’ve Witnessed It” begins as powerfully as it ends, and ask ourselves “Will it worship?”

Focus

“I’ve Witnessed It” is about God’s faithfulness. It explores what he has done both on an individual/personal level and a corporate/historical level. It ends with a list of his characteristics and actions that we have witnessed, culminating in a promise to share what we’ve seen about God with the people and the world around us.

This song is written to God. We mostly call him “you,” and each chorus makes the subject explicit by saying “God, you’re worthy of all of it.” We also call him “Savior” and identify many of his characteristics and acts. There is a lot of “I” in this song, primarily in positioning each singer of the song as a witness of God’s goodness.

Lyric Analysis

VERSE 1
“When I was lost and all alone // Your presence was where I found hope”

The song opens on a personal, subjective note. This verse is a testimony with the serial numbers filed off. We were all lost and alone without Jesus, and God has given us a place with him (Eph. 2:1-6). He is always with us, even when we think we have cause to worry (Heb. 13:5-6). He always has been and will always be good (Ps. 23:6, Ti. 3:4-5). These truths are general enough that almost any believer can find him/herself in the story. It might even be good to pause before or during the song to invite worshipers to consider times when God has been especially good to them.

Note also that each tercet ends with a were/are statement. God was present then, and he still is now. God was good then, and he’s good now. In this verse, the “then” is referring to moments in our own walk with God when he demonstrated those characteristics. Because he was good and present then, I can trust that he still is now.

VERSE 2
“You left the throne and chose the cross // laid down Your life to rescue us // the Savior then, the Savior now”

Skipping the chorus for the moment, let’s look at verse 2, where we turn from personal testimony to the corporate realities of the cross. This verse succinctly summarizes the Christ-event: Jesus humbled himself and chose to die for us (Phil. 2:5-8), then triumphed over death and hell by his resurrection (1 Cor. 15-54, Col. 2:15). Of course, this work earns him the title of Savior, then, now and forever. Jesus raised himself from the dead, and even now he continues resurrecting those who believe in him (Col. 2:12-13).

It’s worth pointing out here that all of the salvation language in this song is oriented around the Christus Victor model of atonement. We see Jesus’ work on the cross as a triumph over death and hell through which he brings life and resurrection. Nowhere does “I’ve Witnessed It” acknowledge our sin or need for forgiveness, nor does it view Christ’s death as a substitutionary sacrifice. I wouldn’t call this a weaknessā€”no song can address every point of theologyā€”but it’s important that the songs we sing as a church provide a balanced view of the atonement. If we only sing about Christ’s death as a victory, we will never understand the depth of our sin and the magnitude of Jesus’ forgiveness (Rom. 3:23-25), nor see him as the slain sacrificial lamb who “bore our sins in his body on the tree” (Rev. 5:6, 1 Pet. 2:24). So let’s sing Christus Victor songs, and let’s also sing songs about finding forgiveness for our sins in the death Jesus died on our behalf.

(For more discussion of different theories of atonement and why we need penal substitution, not just Christus Victor, check out this blog by Sam Storms. It helped me think through this section of my review.)

CHORUS
“I’ve got stories I’ll live to tell // so I’ll pour out my praise again”

God’s faithfulness means that he keeps his covenant. Jesus’ covenant with us, made through his blood, means that we are free from our sins and guaranteed an eternal inheritance with him (1 Cor. 11:15, Heb. 9:15). We also know that God is true to all his promises, and they find their fulfillment in Jesus (1 Cor. 1:20).

Now that we’ve explored God’s faithfulness and life-giving power in our own lives and in the Gospel, “I’ve Witnessed It” gives us the opportunity to respond. This response is twofold: we praise God, and we tell people about him. This is where the song becomes personally challenging. I can pour out my praise easily, but will I really live to tell people about what Jesus has done for me? When we sing “God You’re worthy of all of it,” we aren’t just referring to the praise, but also to the testimony. He is worthy that we should tell his story.

BRIDGE 1
I love a good adjective list! In this bridge we claim to have witnessed six things about God: he’s good (Ps. 68:9-10), he’s strong (24:8), he’s constant (89:34), he loves (13:5), he heals (41:2-4), and he saves (3:8). All of these are easy to demonstrate from multiple Scriptures; I’ve just included one psalm for each. But have we witnessed them? Is there a time in my life where I can identify that God has brought healing (physical, emotional, spiritual, mental, relational, etc.)? Is there a time when I’ve witnessed God’s strength? Has he saved me?

Just like in the verses (and in the song “Same God“) we base our confidence in God and how he will act in the future on how he has acted in the past. If we don’t have a solid foundation of his faithfulness in the Bible and in our own lives, we are going to lack confidenceā€”or faithā€”in him moving forward. Again, I recommend some introspection to find those places in your own story where God has been good to you. Write those stories down, tell them to your heart over and over to remember who he is and that we can trust him.

BRIDGE 2
Now the writers play with the two meanings of the word “witness.” “Witness” can mean just to see something, and that’s the meaning we’ve used so far in this analysis. But it can also mean to witness to someone, to bear witness. That means telling people about what you’ve seen. In the conclusion to this song, also the musical climax, we commit to bearing witness of God’s goodness to the broken, the hurting, the lost, our families, cities, and nations. We even promise it.

Accessibility

Most of this song uses clear, accessible language. Verse 2 references core Christian beliefs without full explanation, so most congregants will understand them, but people with no church experience might not. At first glance, not everyone might understand that the stories this song encourages us to tell are stories of God’s faithfulness.

I don’t see anything in this song that it likely to be misinterpreted in a harmful way. The closest thing is that it only describes salvation in terms of new life and Christ’s victory. As described in my review of verse 2, this is not a flaw, just an omission to be aware of during song selection.

The melody of the verses is very easy to learn, and I heard members of my congregation singing it the very first time we did it in church. The chorus is a little trickier with some big skips, but it repeats enough that it can be learned quickly. The bridge is almost chant-like in its simplicity, though not everyone will be able to make the leap up to the higher bridge. I would recommend one singer continuing with the original bridge melody prominently in the mix so that the congregation can sing along with them.

Music

Nobody likes playing in Db, so I’m going to assume we’ve transposed this a half-step down to C. šŸ˜‚ The chords used are pretty basic without any super fast changes that would throw off beginner/intermediate players. The drum patterns are standard to this kind of anthemic worship song: basic chorus groove, lots of snare and tom builds on the bridges. The lead vocalist is expected to stay in her upper belt range for the whole final chorus, so plan accordingly.

I appreciate the dynamic arc of this song and the contrast between verse, chorus, and bridge. The verses are lilting, melodic, and peaceful. The choruses are declarative and driving. The bridges are anthemic and soaring. Musically, “I’ve Witnessed It” feels familiar without feeling stale.

Conclusions

Will it worship? Yes. It will also preach!

“I’ve Witnessed It” takes the familiar form of a worship anthem and makes it fresh with its exhortative lyrics. This song praises God for his faithfulness in the present and throughout Scripture, and it spurs us on to sharing the story of what he’s done. (Actually, this song would pair really nicely with “What He’s Done” from last year’s Passion album!)

I have two cautions with this song. The first was discussed above and boils down to “make sure you have other songs in your library that address sin, Christ’s substitutionary atonement, and his forgiveness.” The second is “don’t sing it unless you mean it!” Songs like this contain words of strong commitment (promise!), and we do well to examine our hearts before we sing them. Do I really believe that God is worthy both of my praise and of my testimony? Do I have stories of his faithfulness to tell? Who am I sharing them with? Hopefully this song encourages us to ask those questions and arrive at real, world-changing answers.

Image by S O C I A L . C U T from Unsplash

Scripture quotations are from theĀ ESVĀ® Bible (The Holy Bible, English Standard VersionĀ®), Copyright Ā© 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

KING OF GLORY – Passion, Kristian Stanfill

/ Jason Henry / Leave a comment

Image by Robert Thiemann on Unsplash

Live from the Passion 2020 Conference, “King of Glory” is a peppy, encouraging call to worship. One of the high school students on my worship team recommended it to me, and I was immediately caught by the catchy instrumental hook, and then led to celebrate the power of God through the lyrics.

Focus

The clear focus here is the glory and saving power of God, followed by the awed praised that we and all creation bring as a response.

Lyric Analysis

VERSE 1
The writer addresses his soul, just like the psalmist in Psalm 42:5. Also like the psalmist, the answer to his discouragement is the hope and praise that result from God’s power and salvation.

VERSE 2
We can have peace even in life’s storms because Jesus is Lord over all of it. (Mark 4:35-41, John 14:27, John 16:33)

CHORUS
The chorus draws heavily on Psalm 24. In fact, the title “King of Glory” seems to me to be unique in Scripture to this Psalm. The Hebrew word for glory here is kabowd which has a range of meanings including abundance, riches, splendor, and honor. Kabowd is used to describe both people and God in the Old Testament. Whatever impressive things are included in its meaning, we can be confident that God exceeds all of it in splendor and is king over it all. The psalmist applies the title to Yahweh, Israel’s God, and the New Testament clearly teaches us that Jesus is that same God, so it is fitting to identify Jesus as the King of Glory (John 8:58, Philippians 2:6).
The next two lines allude to the same Psalm, where God is described as Israel’s savior, and strong and mighty in battle.
“Freedom is in his name,” doesn’t come specifically from Psalm 24, but it’s not an alien idea either. For the Israelite, freedom from the captivity in Egypt was the archetypal example of God’s saving power. In the New Testament, we see that our primary freedom in Christ is that we are set free from sin, death, corruption, and bondage to the spiritual forces of evil (Heb. 2:14-15, Rom. 8:2, Gal. 5:13). I think Psalm 24 even hints at this with its mention of vindication in verse 5.
“Open the gates of heaven” is pretty much from Psalm 24, though the gates there are more likely of Jerusalem, to allow the King into the city. I’m not particularly bothered by the inversion describing them as the gates of heaven, implying that God is coming out of his city to meet us rather than coming into ours. I think it’s the same idea.
Shouts of praise are everywhere in the Old Testament, especially in the Psalms.
The lion roaring here is obviously Jesus, the Lion of Judah (Rev. 5:5), not the devil (1 Peter 5:8). It’s interesting to me that lion symbolism throughout the Bible is split between good guys and bad guys. Lions are strong and deadly, equally able to tear you to bits or protect you from just about anyone who would harm you. Furthermore, Jesus’ title as the Lion of Judah refers back to Genesis 49:8-12, when Jacob blesses his son Judah with prophetic words about the Messiah who will come from his lineage.

VERSE 3
This verse is based on Psalm 121:1-2 with the added reminder that our help only comes from the Lord, and that we should stand in awe of him (Ps. 22:23, 33:8).

BRIDGE
Nations bow to God in Psalm 86:9, and everyone bows specifically at the name of Jesus in Philippians 2:10. Mountains quake before Yahweh in Nahum 1:5. Ephesians 1:20-21 says that Jesus is seated above every rule and authority and power and dominion; that sounds like reigning over all to me.

Accessibility

This song is clear and straightforward. Even unchurched people will be able to understand the declarations about Jesus being made here. I also like that this song specifically identifies Jesus as God, Lord, and King, worthy of praise and inspiring the awe of all creation.

Music

The dulcimer hook at the beginning is great, and I love the high-energy rubber-band arpeggiation in the background if you’ve got backing tracks. The drum beat is simple enough to emulate and keeps the song driving forward with excitement. The dynamic changes are swift, powerful, and attention-grabbing. I also like how the bass doubles the melody on the bridge. The instrumental channel from the bridge to the chorus provides a great opportunity to exhort your congregation.
The melody is easy and repetitive; congregations should have no trouble learning it.

Conclusions

Will it worship? Absolutely. We’re singing it this Sunday.
I think this song is best suited toward the beginning of your service, as it contains call-to-worship elements, and I always love starting our worship with some strong declarations about God’s character and power.