miracles

MIRACLE POWER – We the Kingdom

/ Jason Henry / Leave a comment

“Miracle Power” is such a cool song. The creative chord structure and the exciting dropouts on the choruses pulled me in and wouldn’t get out of my head! This 2022 single from We The Kingdom is also featured on their self-titled album. It’s co-written by the five members of the band, Andrew Bergthold, Ed Cash (he’s everywhere!), Franni Cash, Martin Cash, and Scott Cash. Let’s dive into this groovy celebration of God’s power in our lives and ask: will it worship?

Focus

The focus of “Miracle Power” is (as you might expect) God’s power. Specifically, we’re focusing on our hope in Jesus to answer us in power when we call on him from the midst of life’s difficulties.

This song uses a lot of “I” language and functions a little like a testimony song. It’s saying, “Here are my struggles, and here’s how I call on Jesus in the midst of them,” and it invites every listener to participate in that same story. When we talk about God in “Miracle Power,” it’s to express hope in him and celebrate our relationship to him.

This song clearly identifies God the Father, Jesus Christ his Son, and the Holy Spirit. Bonus points for including the whole Trinity!

Lyric Analysis

VERSES 1 & 2
Here we identify who the song is for: the lost, lonely, broken, afraid, hurting, addicted, and troubled. The verses are pointing forward to the chorus, offering it as an answer for all the problems mentioned in the verses.

Verse 1 uses third person language while verse 2 is written in first person. This makes the song both an invitation and a personal expression of faith. It offers us an opportunity to look inward and encourage our own hearts, and also to look outward to invite others into the power of God.

CHORUS
“I believe in miracle power, in a wonder-working God . . . When it feels like I won’t make it, I call on Jesus”

The chorus functions like a miniature creed, a corporate expression of what we believe about God. Roughly half of the lines describe God’s power while the other half identify the persons of the Trinity and our relationship to each.

This song takes a very open, ecumenical approach to God’s power. We proclaim that we believe in it, we declare that God works wonders, but then we don’t explain much what those wonders are. Even a cessationist can sing this song confidently since the fourth line says that God is working wonders in my heart. I love this line because it reminds us that we shouldn’t just be looking for external manifestations of God’s power, but we should seek his transformative work in our own hearts. I usually dislike vague theology in songs, but I think lack of specificity is a strength here. Many different church groups hold different views on the miraculous, and this song affirms God’s power in the present without taking a divisive stance on what form it has to take. Even though we don’t know how Jesus will intervene in our lives, we know that he answers when we call.

The other half of the chorus tells us how we relate to God in each of the persons of the Trinity. The Holy Spirit fills us (Acts 13:52). The Father loves us as his children (Rom. 8:15). Jesus calls us his friends (John 15:15). I love it when songs articulate trinitarian theology, and this song does it clearly, simply, and without feeling clunky.

The central theme of the song is articulated in the last line: no matter hopeless we feel, we can call on the name of Jesus and he will hear us. In John 14:14, Jesus says, “If you ask me anything in my name, I will do it.” I think it’s worth adding a caveat here; several passages of Scripture teach that God doesn’t listen to our prayers if we are doing evil or rebelling against him (1 Pet. 3:12). I don’t think this is a flaw of the song; the verses and bridge clearly position the singer as one who is trying to seek God and believe in him, even when it’s a struggle.

VERSE 3
This verse presents praise as an antidote to suffering. Like many heroes from Scripture, the songwriter faces struggles and pain. My devotional reading today is from Psalm 6, where David says “I am weary with my moaning; every night I flood my bed with tears,” and “Be gracious to me, O Lord, for I am languishing; heal me, O Lord, for my bones are troubled.” So we’re in good company when we say that sometimes it’s just hard being human.

The next two lines give me a little bit of hesitation. Praising God is an excellent way to deal with discouragement, perhaps even the best way. I just don’t want anyone to get the idea that as soon as you sing “hallelujah,” all your worries, fears, and problems will evaporate instantly.

BRIDGE
I love the bridge. It’s short, simple, and hopeful. It also provides clarification for any misunderstanding of verse 3. It expresses that we face uncertainty in life, and we will walk through darkness, but we can still trust that God is in control. We can still trust in his power, and we can still teach our souls to sing to him through discouragement and pain. The words remind me of Zechariah’s song prophesying of Jesus’ birth, “because of the tender mercy of our God, whereby the sunrise shall visit us from on high” (Luke 1:78).

Accessibility

The lyrics of this song are very accessible, even to brand new believers and visitors. They’re self-explanatory and don’t depend on a lot of Bible knowledge for understanding. The verses use plain language that connects to people’s everyday experiences and struggles. The choruses use equally plain language to celebrate the Father, Son, and Holy Spirit. The bridge is a simple, poetic description of hope in God.

The melody of this song falls almost perfectly in the classic recommended C-to-C range for congregational singing. I think there’s one optional note on verse 2 (“say good bye”) that goes up to a D. Rhythmically, the verses and chorus are catchy and easy to learn. The bridge is more flowy and tricky, but since the singing is so free and slow here, the congregation can still follow along.

Music

“Miracle Power” is super fun to play and sing. The chord structure changes things up with regular use of the flat seventh chord, but it’s not so weird that it’s difficult to learn or understand. There are also a couple of really fun and distinctive walk-downs on the instrumentals; they’re kind of tricky, so make sure your instrumentalists know about and practice those. Similarly, the final chorus has a really cool walk-up halfway through that adds a ton of energy. The songwriters also employed dropouts effectively to keep this song exciting.

Conclusions

Will it worship? Yes!

I definitely believe in “Miracle Power.” The words are clear and fresh, and they celebrate God’s saving power in a personal way. This song focuses our understanding of miracles on the wonders God works in our hearts rather than flashy external displays. The music is fun and catchy, and I have no doubt that my congregation will latch onto this one as soon as we start singing it this week.

Image by Cynthea Magana from Unsplash.

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

REST ON US – Maverick City Music, Brandon Lake, Eniola Abioye

/ Jason Henry / 1 Comment

Maverick City Music has taken the worship world by storm over the last few years, and “Rest on Us” is one of a string of worship hits that have charted on CCLI. The song is a corporate cry for the experience of God’s Spirit and its easy melody and repetitive lyrics carry the listener along on a tide of prayer and longing. But is it the kind of prayer that we want to sing with our congregations? Is it the right kind of longing? Is “Rest on Us” biblical? Let’s see.

Focus

This song is a plea for the presence of God’s Spirit. It asks the Spirit to move, to fill the worshipers, to let Heaven in, and (as indicated by the title) to rest on the worshipers. It declares that the Spirit is all the singer wants.

Lyric Analysis

SONG TITLE

What does it mean for the Holy Spirt to rest on us (or fill us)? This is the central line of the song, so let’s make sure we understand it well before we look at the rest of the lyrics.

The Old Testament doesn’t use this language often, but it tells us that the Spirit rested on the elders of Israel and that they temporarily prophesied as a result (Num. 11:25-26). Isaiah also prophesies about the Messiah in Isaiah 11:2, saying, “the Spirit of the Lord shall rest upon him, the Spirit of wisdom and understanding, the Spirit of counsel and might, the Spirit of knowledge and the fear of the Lord.”

The OT says that the Spirit rushed upon David (1 Sam. 16:13), Saul (10:10), and Samson (Jud. 14:6). In each of these cases, the individual engaged in one or more miracles of prophesy or divinely empowered violence. In Exodus, a man named Bezalel is filled with the Spirit in order to craft the tabernacle and its furnishings (Ex. 31:2-3). Micah is also filled with the Spirit in order to declare Israel’s sin (Mic. 3:8), a typical task for OT prophets. I think these three words are interchangeable in the Old Testament, describing the Spirit acting with and through a human being to accomplish a miraculous purpose and usually to prophesy.

The New Testament uses all three words in Acts 2:2-4, when a sound like rushing wind fills the room, tongues of fire rest on the believers’ heads, and the Spirit fills them. It also says that the Spirit rests on Jesus in the form of a dove at his baptism (Matt. 3:16) and that those who are mistreated for the name of Jesus have the Spirit resting on them (1 Pet. 4:14). The NT more often refers to the Spirit filling a believer. This happens to John the Baptist and both his parents (Luke 1:15, 41, 67), the disciples at Pentecost (Acts 2:4), Saul/Paul (9:17), Paul and Barnabas (13:50-14:1), and is commanded of believers in Ephesians 5:18. In every one of these cases, those who are filled with the Spirit speak the words of God afterward, whether through prophesy, tongues, proclaiming the Gospel, or singing.

To sum up! When we ask God’s Spirit to rest on us or fill us, we are not just asking for a feeling or experience. We are offering ourselves up as vessels so that God can speak and act through us. Being filled with God’s Spirit means I am committed to speaking God’s words.

VERSE 1
“As the Spirit was moving over the waters // Spirit, come move over us”
When did the Spirit move over the waters, and do we want Him to move over us in a similar fashion? This is a reference to Genesis 1:2, where the Spirit of God is hovering over the face of the waters. These waters are the unformed chaos of the pre-creation world, and God is about to fill them with light and then create the whole world out of this inhospitable blank slate. This is actually my favorite line in the song, though I suspect many listeners miss it. I think this line is a way of submitting to the transformative and creative power of God’s Spirit, offering our chaos and our unformed lives up to God as a canvas for Him to create something beautiful that suits his purpose and his pleasure.

CHORUS
“You’re here and I know You are moving // I’m here and I know You will fill me”
Asking the Holy Spirit to come down is perhaps unnecessary, but not harmful. Yes, the Spirit is already here; God is omnipresent (Jer. 23:24, Col. 1:17). In asking for the Spirit to come down, we are asking for his presence to be made evident in some way, not saying that he isn’t already present. This also applies to the later line “when you fill the room.” It’s referring to the visible or felt activity of the Spirit, not his actual presence versus his absence.

The next line, which says the Spirit will “make my heart pound” when he moves, is not my favorite. It could mean that the singer gets excited (heart pounding) when he or she sees evidence of the Spirit’s activity. That’s fine and good. I’m concerned that most people will take a simpler and less helpful approach to this line. Either A) If the Spirit is moving in your life, he will cause a palpable physical response. If your heart isn’t pounding, the Spirit isn’t moving. or B) “You make my heart pound” sounds like very romantic language, so we think our relationship with the Spirit is like a romantic relationship. “Jesus is my boyfriend songs” are problematic not just because they make worshipers uncomfortable, but because the individual Christian is not the Bride of Christ; the Church is (Eph. 5:31-32, Rev. 19:7-8).

This song refers continually to the Spirit moving. This isn’t a phrase that I can find in Scripture anywhere, but I don’t think it’s inherently problematic. Movement is activity. So if you believe the Spirit does anything today—from raising the dead to quietly prompting the heart of the believer—then you believe the Spirit moves. However, it’s very nonspecific. So each individual who hears or sings this song will import their understanding of what constitutes a movement of the Holy Spirit.

What does it mean for the Holy Spirit to fill us? See the above note on the song title.

VERSE 2:

This verse specifically references Pentecost, when there was a rushing sound of wind and tongues of fire rested on the believers (Acts 2:1-4). What’s not clear is which aspect of Pentecost the singer is asking the Holy Spirit to duplicate. If it’s the literal fire, wind, and tongues-speaking, I think this line is misguided. If it’s the manifest presence and activity of God that lead to proclamation of the Gospel and a turning of many hearts toward Jesus because of the Spirit’s ministry through the church, then yes, let’s pray for that! (I recently reviewed “The Dove,” another Holy Spirit song, which references Pentecost differently, and I think more helpfully!)

The gates come from Psalm 24:7, where they are opened to welcome in the King of Glory. This song refers to letting heaven in instead of God, but I think it’s clear from the context that this is a way of welcoming God’s presence so that he can make our world more and more like heaven, establishing his Kingdom in and through us.

BRIDGE:

“You’re all we want,” is a frequent refrain in worship songs. It’s not a statement of fact (we all want lots of things besides God). It’s an aspirational prayer. In singing “You’re all we want,” we are training our hearts to long for God like the deer longs for water in Psalm 42:1.

Accessibility

Clarity and context are big problems for this song. The Spirit’s activity is described through different biblical word-pictures, and an emotional response is articulated in modern language. What’s missing is any concrete explanation of what the Spirit is doing or what exactly we are asking him to do. This deprives the song of meaning for those who don’t know what the Spirit is doing in the referenced passages. And it leaves open a big hole into which anyone could insert their own poor understanding of what the Spirit’s ministry looks like.

As indicated above, I am concerned that the repeated line “when you move you make my heart pound” is likely to be interpreted in harmful ways. I have the same concern for the line “fire and wind, come and do it again.”

Music

This song has a powerful, slow-build, dynamic arc. I love the drums and the chord progression. The lyrics and melody are so catchy that it would be hard not to learn this song after hearing it once. I honestly enjoy the song, which makes it difficult to be so critical of the lyrics.

Conclusions

Will it worship? Not for me. This song is supposed to be a powerful emotional response to and plea for the moving of God’s Spirit, but those emotions need to be grounded in scriptural truth, not left adrift to anchor themselves to each singer’s vague idea of what the Spirit does.

Image by Maxim Medvedev from Unsplash

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

BELIEVE FOR IT – CeCe Winans, Lauren Daigle

/ Jason Henry / Leave a comment

Image by Marc Thunis from Unsplash

“Believe for It,” written by CeCe Winans, Dwan Hill, Kyle Lee, and Mitch Wong, is the title track from Winans’ early 2021 live album. It came to my attention when a new version came out this month featuring Lauren Daigle, and K-Love lists the original live recording as one of their top songs right now. I have enjoyed and worshiped to songs from both Grammy-winning artists before, so let’s see how the words of “Believe for It” measure up to Scripture.

Focus

There are two. The first is an unspecified obstacle, described as unmovable and unbreakable. The second (and more significant) is God’s power, as the singer trusts him to overcome the obstacle.

Lyric Analysis

VERSE 1
Jesus tells us that faith can move mountains three times in the Gospels (Matt. 17:20, 21:21, Mark 11:23) and Paul references mountain-moving faith in 1 Corinthians 13:2, calling it worthless without love. No one ever moves a literal mountain into the sea in the Bible, so I think it’s safe to see these statements as metaphorical language for God’s power through faith. Winans is also speaking metaphorically. She’s concerned with some oppressive, seemingly unchangeable circumstance in the listener’s life, not geography.

This same obstacle is described as chains and an unchanging tide. Jesus says he came to give liberty to the captives and the oppressed in Luke 4:18. While God has certainly broken literal chains, such as when he freed Paul and Silas from jail in Acts 16, I believe the primary sense in which Jesus liberates us is from the spiritual forces of sin and darkness. In John 8:32-34, he says, “‘You will know the truth, and the truth will set you free.’ They answered him, ‘We are offspring of Abraham and have never been enslaved to anyone. How is it that you say, “You will become free?'” Jesus answered them, ‘Truly, truly, I say to you, everyone who practices sin is a slave to sin.'”

CHORUS
“From the impossible
We’ll see a miracle
God, we believe
God, we believe for it”

What I like about the chorus, and the rest of this song, is that it extols God’s power. Nothing is immovable or unbreakable to him (see Ps. 29) Luke 1:37, referring to the upcoming miraculous births of John and Jesus, says “For nothing will be impossible with God.”

What I don’t like is that this song lets each listener decide what they are believing for. Whatever obstacle comes to your mind in verse 1 when you sing about unmoving mountains and unbreakable chains is likely what you’re going to be singing about in the chorus and bridge. Is it cancer? Financial strain or poverty? A sin addiction? A broken marriage? An abusive situation? There’s a big difference between believing God is able to fix something and believing that he will. Of course, we will ultimately be rescued from all of those things, but Scripture doesn’t promise that we will experience that rescue in this life. Jesus promises that he will work wonders through our faith in him (Matt. 17:20, John 14:12), but he also promises that we will experience persecution (John 15:20) and trouble, but can find peace in the midst of it because of his victory. (John 16:33). Paul tells us that reliance on God is how we find contentedness in prosperity and poverty, not how we get from one to the other (Philippians 4:11-13). While these lyrics don’t necessarily contradict Scripture, I think they are too open to misapplication.

VERSE 2

Our hope can never be lost because it is laid up for us in heaven (Col. 1:5). Jesus’ grave is empty because he rose from the dead, and we get to share in that resurrection (Matt. 28:6, Rom. 6:5). We should absolutely believe that there is power in the name of Jesus; this is the witness of the whole New Testament. Just do a Bible Gateway search on “Name of Jesus.” Demons are cast out and people are healed in his name (Acts 3:6, 16:18), we are baptized and sanctified in his name (Acts 2:38, 1 Cor 6:11), and every knee will one day bow at his name (Phil. 2:10).

BRIDGE 1

Jesus is the way in John 14:6. Verse 17 clarifies that this means he is the way to the Father, and there is no other way apart from him. The whole Bible is full of reasons to trust in God. Saying he has the “final say” refers to either his final victory and judgment, which will come by his powerful word (2 Peter 3:7) or his total sovereignty over the world, and by extension our circumstances (Psalm 22:28, Romans 8:28).

BRIDGE 2
“You said it, I believe it
You said it, it is done”

We should absolutely believe everything God has promised (Josh. 21:45). But we’d better be sure that when we say we’re believing for something because he said so, we’re believing in something that he’s actually promised in Scripture, not just something that we really, really want. We also need to make sure that we’re trusting God to fulfill his promises according to his timetable, not ours. Many of God’s promises to Israel didn’t find their ultimate fulfillment until the coming of Christ (Heb. 11:13), and others will not be fulfilled until he returns (2 Peter 3:8). So let’s be careful not to believe for “it” unless “it” is something that God has actually said.

Accessibility

I don’t think anyone would have difficulty grasping the meaning of this song. The metaphors are clear, and the words of the chorus and bridge are simple and repetitive. My concern is that anyone not thoroughly grounded in what God does and does not promise in Scripture is likely to sing this song with incorrect assumptions about what we should believe for.

Music

I’m a sucker for a good chord progression with changes on beat 4 leading into the next chords on beat 1, and this song has that. I also really enjoy the drum groove, which is classic and propels the song forward while the melody soars heavenward. That same melody is very repetitive and learnable. I don’t think this song would be difficult for worship teams to learn. The most challenging part would be achieving the gospel styling of the backing vocals and the ad-libbing of the lead singer. Winans utilizes both to powerful and moving effect. Of course she does; she’s a legend.

Conclusions

In an article about this song on K-Love’s website, Lindsay Williams quotes CeCe Winans as saying, “The song challenges people to not brush off your dreams; don’t give up or give in, but it’s time to believe that you can make it. Believe that you can achieve what’s in your heart. It’s time to believe for wholeness and healing for yourself, your family, and your community. It’s time to believe for unity.” Those aspirations are all good, and most are even Biblical. But the idea of following your dreams and achieving whatever is in your heart is not based on the truth of Scripture.

It’s an inspiring song, but I have to pass on it. The belief that is at the crux of the chorus never finds a concrete promise of God to stand on, so the listener is left to supply their own meaning, which could be anything. That’s dangerous and veers uncomfortably close to Word of Faith teaching and the Prosperity Gospel. What we should believe for is the return of Christ, when he will fully and finally reconcile all creation to himself, and the working of his Kingdom in and through us now, which rarely happens the way we expect it to.

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.