glory

Exploring ‘Long Live the King’: A Worship Analysis

/ Jason Henry / Leave a comment

“Long Live the King,” written by Gabriel Wilson, Matt Gilman, and Nate Lapeer, seized my attention when it came out two years ago. Its vivid and theological description of Jesus’ death, resurrection, and exaltation brought me to tears in my car. It impressed the majesty and glory of Christ on my heart and imagination in a way that few songs have.

I learned it, practiced it, and was all geared up to use it for Easter 2023! Unfortunately, the third verse weirded me out. My church doesn’t really teach that Jesus descended into hell while he was in the grave, and I thought that event, the Harrowing of Hell, is what this verse was referring to. I chickened out, and we haven’t used it for church. But now I’m ready to give “Long Live the King” another look! What is that funky third verse about, is it biblical, and will it worship? Let’s check it out!

Focus

“Long Live the King” is an acclamation of Christ. It explores his suffering, death, resurrection, and glorification and hails him as king in each context.

It calls Jesus by name and uses lots of titles for him including Anointed One, Emmanuel, and Perfect Lamb. It also refers to the Holy Spirit’s role in Jesus’ resurrection. The language in “Long Live the King” is both personal and corporate; each chorus talks about lifting my hands, but the verses speak of our Messiah, our Redeemer, our victory.

Lyric Analysis

VERSES 1 & 2
These verses are sung back-to-back and recount the same events from two different perspectives.

Verse 1 is about the physical events of Jesus’ suffering, death, and burial. It picks out several significant events from John 19, so we’ll start with the crown of thorns. The writers do something really cool here by saying, “There in crown of thorn and thistle.” At first, I thought this was just a poetic liberty. After all, the crown in the Gospels only had thorns. No thistles to be seen. But where do we find thorns and thistles together in the Bible? Genesis 3:18 says of the ground, “thorns and thistles it shall bring forth for you.” Adam’s work is made painful and dangerous because of sin. In his death, Jesus is taking Adam’s curse upon his own head. This is something verse 2 makes explicit.

The rest of the verse recounts more familiar details: the sign reading “King of the Jews,” Jesus’ blood shed on the cross, the crimson river flowing from his pierced side, darkness falling at his death, the burial clothes, and Jesus’ interment in a tomb. This verse invites us to contemplate Christ’s suffering and humiliation. When we do, we find both grief and gratitude welling up within us.

Verse 2 deals with the spiritual realities of Christ’s work on the cross. The first line echoes the metaphor of Adam’s thorns and thistles: every curse is laid upon Christ. He bears the burden for us. He wears our sin like the robe of shame the soldiers placed on him.

Calling Jesus the “perfect Lamb led to the slaughter” recalls the words of Isaiah 53:7, “He was oppressed, and he was afflicted, yet he opened not his mouth; like a lamb that is led to the slaughter.” It also looks forward to Revelation 5:5-6, where John is told to look for the Lion, but instead finds the slain Lamb standing. This song will show us both Jesus’ humble sacrifice as a lamb and his triumphant power as a lion.

In the Old Testament, a ransom was the price paid to save someone’s life, either from slavery or from the just punishment for a crime they had committed. This is what Christ has done for us. At the moment of his death, Jesus tore the temple veil in two (Lk 23:44-46). This was the curtain that sealed off the Holy of Holies, the place where God’s presence rested. It represented the great divide between God and man, the rift between our sinfulness and his holiness. Christ’s death was a great victory because he accomplished all this, defeating sin and darkness, freeing us from our enslavement to death, and bringing us safely into God’s holy presence. Revelation 12:11 teaches us that the victory of the saints is in the blood of the Lamb.

LONG LIVE THE KING
There is no single chorus in this song. Instead, each chorus has its own words that develop what was discussed in the preceding verse. The one commonality is the repeated titular phrase: “Long live the King!”

People have been wishing long life to their rulers for millennia. “Long live the king” was the shout of the people when Samuel anointed Saul and proclaimed him king (1 Sam 10:24). Daniel even addresses King Darius, a pagan ruler, this way (Dan 6:21). To say “long live the king” is to express loyalty and submission to a ruler. It’s a statement of belief that they are the rightful and beneficial sovereign. It is an endorsement of their justice and righteousness.

In Western culture, “long live the king” is often part of the longer phrase “The king is dead, long live the king!” Traditionally, this is the announcement of the death of the former ruler and the succession of the new one. In the context of Jesus’ death, it means something completely different! It is in his dying that he is crowned and exalted.

How appropriate, then, to proclaim “long live the king” of Christ Jesus, of whom Isaiah says, “Of the increase of his government and of peace there will be no end, on the throne of David and over his kingdom, to establish it and to uphold it with justice and with righteousness from this time forth and forevermore!” (Is 9:7)

CHORUS 1
The first line of this chorus says, “the wrath of God and man now satisfied.” Many people are uncomfortable with songs that mention God’s wrath, or the idea that Jesus satisfies it. They object to the idea that a loving God should have any wrath toward his children and therefore the idea that he should send his Son to absorb such wrath on our behalf. I sympathize with their concerns, but we need to take the problem of human evil seriously if we are going to discuss God’s wrath. How can we look at genocides, murders, rapes, systemic racism, oppression of the poor, and casual acts of violence and not cry out for justice? How can we not cry out for God’s wrath to wash away the wicked? We must also remember that Jesus is not a separate entity from God; he is not merely human. He is God himself. So if one seek to blame God for creating man with our capacity for wickedness or if you think God is unjust to punish evil, remember that he stepped into our suffering and pain and took his own wrath upon himself. (Rom 2:8, Rom 3:23, 2 Cor 5:21, Gal 3:10-13, Isa 53:4-11) I think this is an excellent line because it shows that while God’s wrath is just, it is no longer directed toward us us because of Christ’s atonement. I also love that it draws the wrath of man into the equation. We humans so easily become wroth with one another, but Jesus’ death disarms our anger and violence. Ephesians 2:14 teaches that Christ broke down the dividing walls between people as well as the wall between us and God. In the shadow of the cross, how can we raise a hand against our brother or sister?

The phrase “he paid the price” echoes the early church’s understanding of atonement, called “ransom theory.” (Think Aslan dying to ransom Edmund in The Lion, the Witch, and the Wardrobe.) In the Old Testament, atonement for all the people was made with continual sacrifices. Jesus has made perfect and final atonement once and for all by the sacrifice of his own body and blood (Heb 10:10).

Even sin and sickness must obey Jesus. He healed countless people during his ministry, including casting out demons (Mt 8:16-17). In the story of the paralyzed man in Matthew 9:1-8, he demonstrates his lordship over both. Not only does he forgive all the man’s sins, but he heals his body as evidence of his authority. It is important that we remember that while every sin and sickness must submit to Jesus’ authority, we are not guaranteed individual victory over each sin and sickness in our lifetime. There are sins that will continue to tempt us until we die, and each of us will eventually succumb to sickness. Even the Apostle Paul dealt with his famous “thorn in the flesh,” a persistent ailment of some kind (2 Cor 12:7). We must not take someone’s continued illness or struggle with temptation as evidence of lack of faith or evidence that God is absent.

VERSE 3
This verse is a little confusing because it could refer to a couple different things. It references several Scriptures, but the verses in question are famously hard to understand. We could be talking about the Harrowing of Hell, or we could be speaking more generally about Jesus defeating death.

In ancient Greek thought, Hades was where all the dead went, not only the wicked. It doesn’t carry the same connotations of evil and punishment as the Christian idea of hell. (Side note: Can we all agree to sing “depths of Hades” instead of “bowels of Hades?” I would really rather not say “bowels” in a worship song. šŸ¤¢) The trembling in Hades could refer to the twin earthquakes at Christ’s death and resurrection (Mt 27:54, Mt 28:2), or it could refer to death and hell themselves quaking in fear at Christ’s victory. The breath of God descending could refer to the Holy Spirit entering Christ’s tomb to bring him back to life (Rom 8:10-11), or to Jesus entering the realm of the dead to proclaim his Gospel to all the dead (1 Pet 3:18-20).

The triumphal parade seems to be a reference to Ephesians 4:8-9, which says, “When he ascended on high he led a host of captives, and he gave gifts to men. (In saying, ‘He ascended,’ what does it mean but that he had also descended into the lower regions, the earth?).” Rather than a parade of captured enemies, as commonly seen in a Roman triumph or even in Psalm 68:8, Jesus is leading a procession of liberated captives. This procession consists of everyone who will believe in him, past, present, and future.

Either way you interpret it, this verse uses poetic and scriptural language to show the triumph of Jesus over death.

CHORUS 2
Now, instead of a the mockery and pain of a crown of thorns, Jesus, the Son of God, is crowned with many crowns. This line comes from Revelation 19:12 and also the famous hymn “Crown Him with Many Crowns.”

Jesus is the light of the world who dispels darkness and defeats death (Jn 8:12, 1 Cor 15:22-26). We would be lost in darkness on our own, but instead we are found in his light.

Another potential source of controversy in this song is the line “the souls of every sinner now redeemed.” The question here is whether this line suggests Christian universalism or universal reconciliation, the belief that all people will be saved, not only those who come to believe in Jesus during their earthly lives. I don’t think this line necessarily teaches that. The line says every sinner is redeemed, not that every sinner is saved. To redeem or ransom someone (see verse 2) means to pay a price for that person’s rescue or liberation. Jesus has paid the price for the redemption of every human being. Some may reject him and flee from him, like Hosea’s redeemed wife left him, but this does not lessen the scope of Christ’s great redemption.

VERSE 4
The Bible doesn’t give us much information about what happened inside Jesus’ tomb. We don’t know all the ins and outs of the trinitarian relationship, but it seems evident that the Holy Spirit played a major role in the Resurrection. Romans 8:10-12 says, “if Christ is in you, although the body is dead because of sin, the Spirit is life because of righteousness. If the Spirit of him who raised Jesus from the dead dwells in you, he who raised Christ Jesus from the dead will also give life to your mortal bodies through his Spirit who dwells in you.” Genesis 2:7 says that when God was making the world, Adam became a living creature when the breath of life entered nostrils. So Christ’s resurrection, the breath of life reentering his lifeless body, is the moment when the New Adam inaugurates the New Creation.

The dual image of Christ as Lion and Lamb is found throughout Scripture, but especially Revelation 5:5-6. Jesus has given his life as the sacrificial Lamb and he has triumphed over death as the glorious Lion of Judah. He is alive and glorified!

CHORUS 3
The name Emmanuel means “God with us,” so it’s interesting that the songwriters use this title here, at the height of Jesus’ glorification in heaven. Even when he is so very far above us, so enthroned that the very stars worship him, he is still near to us.

Much as he has exchanged a crown of thorns for many crowns of glory, Jesus has exchanged the mocking robe of the soldiers for one of true rulership. In Revelation 19:11-16, Jesus rides at the head of the armies of heaven wearing a robe dipped in blood and bearing the name “King of Kings and Lord of Lords.” His reign and victory are just, faithful, and true. None is more worthy, none is more powerful. This enthronement of the Lion/Lamb King is the event for which all of creation has been longing (Rom 8:18-22). The stars and all of creation erupt in worship, and when we sing this song, we join in with them (Ps 148), declaring “long live the King!”

Accessibility

This song has a lot of words and Scripture references, but it also paints really clear and beautiful mental images that anyone can latch onto. For instance, the final chorus references Revelation 19, Romans 8, and Psalm 148, but you don’t have to know those passages to be able to picture the resurrected King Jesus filling heaven with his presence and taking his rightful place on the throne.

The main concern I have for misinterpretation is that some people might take the line, “every sinner now redeemed” as a statement of universal reconciliation, which most Christian churches do not teach. It’s also possible for people to get hung up on the intricacies of verse 3, but I’m confident that is a tangle that only experienced church people will stumble into, and if anything it will lead them into deeper study of God’s word.

The constant refrain, “Long live the King!” is easy to pick up (though the melody gets kinda funky in the second half of the song). The verses repeat the same melodic material over and over, so I think it will be easy for a congregation to learn and sing. The choruses are a little trickier, but well within the bounds of what is congregational. The melody jumps around quite a bit (slightly more than two octaves šŸ˜¬), so range may be a concern. Still, the majority of it stays within an octave+2, so I don’t think you’ll lose people except on the very highest and lowest notes.

Music

The music of this song matches the words perfectly. The beginning is somber, then becomes hopeful, driving, and finally triumphant. And man is that ending triumphant! This is one of my very favorite expressions of the glory of the ascended Son of Man, and it has brought me to tears more than once. Having said all that, dynamics are super important in this song. It’s got to start quiet, it’s got to drive hard through the middle build, and it’s got to have a big ending.

The chord structure is another one of my favorite features of this song. It largely uses the chords you expect in worship songs and pop music, but it also throws in a couple minor 5s and flat 6s that somehow open up the tonality to invoke a level of majesty that you just don’t get in your typical G D Em C worship progression.

With those funky chords, the crazy dynamics, and the wide vocal range, this song demands a lot of a worship band, and it’s not for the faint of heart.

Function

Gathering | Word | Table | Sending

I would use this song anywhere in a worship service except for the very end. It unites God’s people with a shared acclamation, it declares the story of Jesus’ death, resurrection, and glorification, and it provides us with an opportunity to respond to that story from our hearts with love, devotion, and awe. So it works well as an opening song, a song of the Word, or a Communion/response song. The tricky part is fitting it into the dynamic or energy level flow of a service, since it starts so quietly and ends huge.

I would resist the temptation to use this one as a closer. The ending is big and powerful and exciting, but it lacks the kind of call-to-action that makes for an effective sending song.

Conclusions

Will it worship? You bet!

I started writing this post several months ago, before schoolwork and life circumstances necessitated taking a break from blogging. Since then we have sung “Long Live the King” a few times in church, beginning on Easter. I found that people were profoundly moved by the song, though it was more difficult than average for a congregant to learn and be able to sing along.

So, if your band is up for a challenge and you don’t mind some challenging lyrics about Jesus defeating hell, go for it! I am confident this song will bless your congregation and facilitate their heartfelt response to the gospel and the glory of Jesus.

Image by Tom Gainor on Unsplash

Scripture quotations are from the ESVĀ® Bible (The Holy Bible, English Standard VersionĀ®), Copyright Ā© 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

THAT’S MY KING – Lloyd Nicks, Bridge Worship, CeCe Winans

/ Jason Henry / Leave a comment

“That’s My King” popped up a few months ago as a new release from CeCe Winans on SongSelect, and I clicked on it because I thought it was going to be based on the famous sermon “That’s My King” by S.M. Lockridge. It’s not. But what it is might be even better!

(Update: This song has exploded since I wrote this review, and it has gone on to win a Grammy and a Billboard Music Award! I love the heart and attitude of the songwriters in their acceptance speech.)

In an interview with The Christian Beat, songwriter Lloyd Nicks describes working on the song with friends Jess Russ, Kellie Gamble, and Taylor Agan, gathered around an out-of-tune piano, finding the difficulty of capturing with words the “bigness and greatness of Jesus.” He says they were trying to write a song that couldn’t be contained, because the King is himself too big to be contained. What Nicks and friends wrote is a joyful, infectious celebration of the glory, character, and heart of God.

“That’s My King” is catchy, personal, and transcendent, but is it biblical, and will it worship?

Focus

This song is about the glory and praise of God. It lists many attributes of his character and gazes in wonder upon the King who defies description. It revels in the uncontainable glory and holiness and beauty of God and also draws near to him, repeatedly emphasizing “that’s my King.”

The subject of the song is identified as King, God, and Shepherd, among other titles, and sometimes we sing directly to God in 2nd person. The song is both personal and corporate, using “I” and “my” alongside “we.”

Lyric Analysis

VERSE 1
“I wish I could tell you // wish I could describe it”

In the first verse, the worshipers address each other. We are in awe of God and can’t contain him in our words, but also can’t help but speak about him. What I love about this verse is that it sees the futility of trying to explain the wonder of God and what he’s done for us, but it still doesn’t give up trying. It’s not that there aren’t words; there just aren’t enough words.

“There aren’t enough colors to paint the whole picture” is a beautiful metaphor, and it begins to break our minds and hearts out of the box. Just like we can’t imagine colors outside the visible spectrum, we can’t fully imagine God with the limitations of our minds and experiences.

One quirk of Christian worship is that even though we acknowledge that God is indescribable, we can’t help but try to describe him! It’s not that we can’t or shouldn’t use our words, it’s just that there aren’t enough of them to explain who he is or even what he means to us.

PRE-CHORUS
This section is a rapid-fire list of seven characteristics of God, and I want unpack each one of them just a tiny bit.

Wonderful: He’s the God who creates wonders (Ps 8:3), works wonders (Ex 15:11), and fills us with awe and wonder (Ac 2:43, Heb 12:28).

Beautiful: When we speak about God being beautiful, we are talking about more than aesthetic beauty, though certainly not less. In the Psalms, when God’s beauty is mentioned, it is in connection with his temple. He shines forth out of the place where he comes to dwell with his people, drawing all nations toward himself and his goodness.

Glorious: Much like his beauty that draws people to him, God’s glory fills the temple or the tabernacle in the Old Testament. It’s described as a cloud, something so radiant that humans cannot fully look upon it (Ex 40:35). In the New Testament, we see that through Jesus’ work on the cross, the veil is torn (Mt 27:51). We are no longer kept out of God’s glorious presence but invited in!

Holy: This is one of those church words that we sometimes use without much understanding of what it means. It’s related to glory and beauty, but different too. We often think of holiness as moral goodness, and that’s part of it, but it also refers to God’s total uniqueness, his other-ness. Much like the glory that kept Moses and the Israelites from entering the tabernacle, God’s holiness is dangerous to those who would enter his presence while tainted by sin or impurity. But in Christ, God brings his holiness near to us, pouring out from him and purifying us instead of destroying us.

For an awesome (and animated!) exploration of God’s holiness, check out this video from the Bible Project. It really helped me understand it in a new way!

Merciful: God’s love is abounding towards us, and he is slow to anger and quick to forgive (Ex 34:6). Mercy is his character, always lavishing his grace and kindness on us (Eph 2:7).

Powerful: God showed his mighty power when he defeated Pharaoh and his armies to rescue Israel from Egypt (Ex 32:11). But in Christ, we see God’s power even more clearly. He chooses to conquer evil and even death itself through the humble death of our Savior on a cross (Rom 1:16). The power of his Spirit is displayed in our lives when we let him work through our weakness to show how his strength (2 Cor 12:9).

King: God made the world, and it belongs to him. Through his Church, he is building his Kingdom, and he will return to set every wrong thing right and to reign in peace, justice, and righteousness (Isa 9:6-7).

CHORUS
“Who we talking about? // That’s my King!”

If this song just said “He’s the King,” it would praise God for his sovereignty. If it just said, “He’s mine,” it would express intimacy with God. But saying “That’s my King!” does both. He is the ruler we gladly embrace, and we are overjoyed to belong to him. In one line, we honor him as ruler and delight in being his dearly loved children. I love it!

The rest of the chorus is just different ways of praising him. He’s worthy. We declare his glory and give him honor. We commit to adoring him. We agree with Paul in Romans 11:36 that all things are for him and through him and to him. Echoing the first of the Ten Commandments, we declare that there is no one before him (Ex 20:3).

VERSE 2
In Luke 19:28-40, Jesus’ disciples praise him loudly on his entry into Jerusalem, causing quite a disruption. When religious leaders object, Jesus tells him that if the people fall silent, then even the rocks will cry out in praise. In “That’s My King” we promise not to let that happen.

In Revelation 4-5, the inhabitants of heaven, angels, people, elders, and strange creatures sing several songs of praise that are reminiscent of the words of this song. They also declare God’s worthiness, his holiness, his glory, honor, and power. This is the eternal song of praise that we join into as we worship God.

BRIDGE
The bridge builds further connection between the worshiper and God as each line explains who he is to us on a personal level. When I say he is my king and God, I am offering him my fealty and obedience. When I call him my Shepherd and Protector (Jn 10:1-18), I am counting on him to protect and lead me. When I call him my Rock (Mt 7:24-27) and Anchor, I am trusting him to hold me steady through any storm I face in my life. When I call him my Defender, I know that he is the victor of every spiritual battle and that nothing can take me from his hand (Rom 8:38-39). So, these lines offer truths about who God is, but they also call for a response of faith and trust based on those truths.

Accessibility

This song is super easy to understand. We explained the theological significance of holiness, glory, and power up above, but a congregant doesn’t need to know all of that information to enter into worship with this song. Anyone who listens to even a little bit of “That’s My King” will understand that it is offering praise and glory to God. This song is clear and precise and leaves no room for misunderstandings.

Is “That’s My King” singable? I think so. The verses are a little tricky timing-wise, and the choruses have lots of syncopation, but the rhythms repeat themselves enough that the average person can learn them easily. I also love the call-and-response of “Who we talking about? // That’s my King!” It provides an entry point for someone uncomfortable with singing in church to join in the question-and-answer pattern. 95% of the melody sits within an octave, so the range is pretty accessible for a worship song.

Music

“That’s My King” is an infectious gospel celebration of the kingship of God. It is always pushing forward, and in my experience, it sweeps up the whole worship team and congregation in its joyful drive of praise. The dynamic arc is effective, straightforward, and exciting. The chord progression is fresh and will keep the congregation on their toes without them realizing exactly why. The instrumentation paints the words of this song with glory and highlights each characteristic of God that we sing about.

If your worship team is unaccustomed to playing in a gospel style, this song is going to take some extra work. The chord progression is very different from the I-V-vi-IV pattern that is so common in the Hillsong-Bethel-Passion vein of modern worship. There are some bVIIs and bVIs, and some cool instrumental sections that require changing chords in between beats. Even if you’re a white church with a white praise band, I think this song is playable, and it’s a great place to begin introducing some gospel music influence to your team and your congregation. Our team has loved playing it, and I think they’ve enjoyed the challenge of thinking and playing outside the box a little bit.

Function

Gathering | Word | Table | Sending

I probably wouldn’t do this one during Communion, but anywhere else in the service is fair game! It can serve a unifying function, gathering the congregation into a worshiping body. It declares truth about God’s power, love, and beauty. We want to send people out of church talking about the King, and this song does exactly that.

Conclusions

Will it worship? You bet!

“That’s My King” is one of my very favorite new worship songs. The music is exciting, joyful, and serves to expand the palette of churches used to a steady CCM diet without going so far outside the box as to confuse or frustrate. The lyrics are rock-solid, and what I think is really special about this song is the juxtaposition of God’s sovereign kingship with his personal relationship to each believer. We all need to be reminded that God is King and that he’s my King.

We’re singing this one again this Sunday, and I think it’s going to remain a congregational favorite for a long time!

(Update: we did, and it has.)

Image by Scarlet Ellis on Unsplash

Scripture quotations are from the ESVĀ® Bible (The Holy Bible, English Standard VersionĀ®), Copyright Ā© 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

LOOK TO THE LAMB – Jesus Culture, Lindy Cofer, Bryan & Katie Torwalt

/ Jason Henry / Leave a comment

It turns out I like songs with lots of words.

“Look to the Lamb” has a lot of words. The people who wrote those words are Bryan Torwalt, Lindy Cofer, Mitch Wong, and Tommy Iceland. Jesus Culture released it as a single in March of this year, and then again on their album Why Not Right Now? in July.

This song captured my attention with its irresistible energy and the soaring exhortation, “look to the Lamb!” and held it with the deep scriptural imagery and theology of its lyrics. Let’s dive into those lyrics and ask if “Look to the Lamb” is biblical and if it will worship!

Focus

“Look to the Lamb” is about Jesus: his identity, his work of redemption, and especially his glory & worth as depicted in Revelation. It calls him King, the Way to the Father, the Life and Resurrection, the Lamb, the Son of God, the Savior, Alpha & Omega, the Christ, and our God. There is no “I” or “me” in this song, but we sing it to one another, exhorting our fellow believers to see Jesus and worship him.

Lyric Analysis

VERSE 1
Jesus is highly exalted and worthy of worship. His name is above every other name (Phil. 2:9). He calls himself the Light of Life (John 8:12).

I think the throne here is the throne we see in Revelation 4-5, since this scene is evoked later in the bridge. If that’s the case, we might have a little bit of Trinitarian confusion in this verse. It seems that we are calling Jesus the King on the throne, but in Revelation 5, God the Father is the one seated on the throne giving the scroll to the Lamb (Rev. 5:6-7). Jesus is God, and the Father is God, and God is the only King on the throne, so there’s not really a problem here, it’s just odd that this one line describes the Father while the rest of the song is specific to Christ the Son.

VERSE 2
Jesus himself tells us that no one can come to the Father apart from him (John 14:6). He also calls himself the Resurrection and the Life (John 11:25).

In Ezekiel, God tells his people that their hearts are like stone: dead, stubborn, and refusing to worship or listen to him. But he promises that one day he will send his Spirit to dwell in his people and soften their stone hearts (Ezek. 36:24-28). This songs says that it is Jesus’ love that melts our stone hearts. A little different from Ezekiel’s words, but Jesus and the Father send the Holy Spirit, an act of love, so it seems like a good use of this biblical imagery to me (John 15:26).

CHORUS
“Look to the Lamb! // See the Son of God, the Savior crucified // see the crown of thorns, his nails, his wounded side”

What lamb are we looking to? Jesus! Specifically, Jesus as the slain lamb in Revelation 5. He is the Son of God and the Savior. We also get a short, vivid picture of his suffering and passion: the author invites us to see the crown of thorns on his head, the nails piercing his hands and feet, the spear puncturing his side (John 19:2,18,24). Because of this saving work, we call him worthy.

The second half of the chorus focuses on Jesus’ eternal glory. It draws attention to his eyes, where the author finds both love and fire. The love is a no-brainer. God is love, so of course there is love in Jesus’ eyes when he looks at us (1 John 4:8, Zeph. 3:17). But what’s the fire about? We’ll look at that when we get to the bridge. And what exactly is he worthy of? Be patient, I’m getting there!

My favorite thing about this chorus is that it parallels Paul’s line of thought in Philippians 2:5-11. Because Jesus became a man and suffered humbly on our behalf, he is exalted and given the name above every other name. Jesus’ glory flows out of his suffering.

VERSE 3:
The first two lines of this verse are exactly how God describes himself in Revelation 1:8. As alpha and omega are the first and last letters of the Greek alphabet, so Jesus is the first and last of all existence; everything comes from him and is for him (Rev. 22:13, Rom. 11:36). Saying that Jesus “was and is and is to come,” means that he always has existed, exists right now, and always will. This seems like a reference to the name God gives himself at the burning bush: I Am (Ex. 3:13-14). The author of Revelation expands this present-tense name into the past and future, because God is forever and ever.

I can’t find a specific Scripture that talks about shouting at Jesus’ return, but he will return in glory and power with a host of angels (Matt. 25:31), so it’s hard to imagine that there won’t be triumphal shouts far louder than the cries of “hosanna” during his Palm Sunday entrance to Jerusalem (John 12:13). Verse 3 concludes with our own shout identifying the object of our praise as Jesus, both Christ and God (2 Pet. 1:1).

BRIDGE
“The elders bow, the creatures cry // saints and angels glorify”

I discussed this song with one of my team members before introducing it to our church and asked him what he thought the bridge was about. He came up with a beautiful description of how the elders are the leaders of the local church, and how it’s important that they set an example for the congregation by bowing to God, and the creatures are everybody else joining in worship together. I had to tell him he was wrong. šŸ˜¬ At this point, it shouldn’t come as a big surprise that these lyrics are a reference to the scene around God’s throne in Revelation 4-5. The four living creatures are angelic beings with way too many eyes that surround God’s throne. The elders mentioned are 24 elders who bow down to the Lamb and cast down their crowns before him. Since there are 12 sons of Israel in the Old Testament and 12 Apostles in the New, I deduce that these 24 elders are meant to represent all of God’s people throughout all time and space. The saints and angels are all the angels, and all of God’s people (Rev. 5:11-14). We also learn that this declaration of God’s glory continues 24/7 (Rev. 4:8).

What about the strange description of Jesus? Fiery eyes, hair like wool, the voice of roaring waters? You guessed it: Revelation!

“Then I turned to see the voice that was speaking to me, and on turning I sawĀ seven golden lampstands,Ā and in the midst of the lampstandsĀ one likeĀ a son of man,Ā clothed with a long robe andĀ with a golden sash around his chest.Ā The hairs of his head were white, like white wool, like snow.Ā His eyes were like a flame of fire,Ā his feet were like burnished bronze, refined in a furnace, andĀ his voice was like the roar of many waters.Ā In his right hand he held seven stars,Ā from his mouth came a sharp two-edged sword, andĀ his face was like the sun shiningĀ in full strength.”

Revelation 1:12-16

These descriptors are meant to convey the majesty and beauty and power of Jesus. Fire in his eyes represents his jealousy over his people and his mighty power; he has the strength to burn up his enemies and refine/purify his people (Zech. 13:9, Zeph. 3:8). Comparing his hair to wool (and snow) is about the color, not the texture. White (or gray) hair is celebrated in the Bible as a symbol of age, wisdom, and righteousness (Pr. 16:31). His voice thunders like many waters, celebrating the power of his word (Ps. 93:4).

If you were part of Revelation’s original audience, these words would have reminded you of another important, psychedelic throne room scene in Daniel 7. Here, God is called the Ancient of Days, and his hair is white like wool or snow, and his throne is fiery. One called the Son of Man appears before him and is given glory and eternal authority over all creation. All God’s enemies are defeated, and he restores his people to share his dominion. So, Revelation 1, Daniel 7, and this song are all showing us the splendor, power, unity, and victory of God the Father and his Son Jesus.

To sum up: the words of the bridge invite us to envision the heavenly throne room at the conclusion of this age, when all creation bows down to the slain, resurrected, glorified Lamb.

TAG
“Worthy is the Lamb!”

Finally, we come to the central line of this song and find that it is a bit ambiguous. What exactly is Jesus worthy of? In general, when a worship song says God is worthy, I think we assume that he’s worthy of our praise, and he is! But he is also worthy of so much more than that. Again, we find a robust answer in Revelation 4 and 5. The 24 elders declare that the Lord God is worthy of glory, honor, and power (Rev. 4:10-11). The myriad angels repeat these of the slain Lamb and add that he is worthy to receive wealth, wisdom, might, and blessing (Rev. 5:11-12).

The last one is easy to skip over, but it’s is also crucial to this passage, Jesus’ identity, and the meaning of this song: the Lamb is worthy to open the scroll. This scroll usher’s in God’s plan for the culmination of his plan; his enemies are judged and defeated and his people are vindicated and saved, made into priests who will reign with him over a restored creation. John weeps because no one can be found to open this scroll, but then the Lion/Lamb appears (Rev. 5:2-5). Jesus is found worthy to open the scroll because he was slain to ransom God’s people from every people and nation (Rev. 5:9-10).

Accessibility

The verses and the chorus are poetic but straightforward. The bridge is the tricky part, relying on an in-depth understanding of Revelation 4-5, and ideally several Old Testament metaphors. Throughout the song, it’s not apparent exactly what Jesus is worthy of, though we repeatedly call him worthy. So there will be significant gaps in understanding for most congregants. People might try to fill these in with their own assumptions, and they may be wrong, but I don’t see any danger of false theology here. I would encourage worship leaders to use this song as an opportunity to explain some of these metaphors and connections to help people grow in their understanding of Jesus and his glory.

The melody is mostly stepwise with several big skips. So it’s challenging to lead, but it’s pretty easy for the congregation to pick up on and sing along with. Also, the congregation doesn’t have to leap up as high as Lindy Cofer on the latter part of the song, so that helps reduce the range to about an octave.

Music

Classic worship song dynamic arc, builds great; I love the high descant part that the lead vocalist sings during the last bridge and chorus. Unfortunately, part of the vocal work that makes this song so exciting also makes it really challenging for your lead singer! The range works out to an octave+4 The melody line is one of this songs big strengths; it’s engaging and fun without being too difficult to learn.

The chord changes in this song are frequent and almost hymn-like. This has the advantage of making the song feel timeless and fresh, but it also makes it pretty tricky for guitars and keys, especially if you transpose it to any key other than C! Expect to take some time to work through the chord changes with your instrumentalists to make sure they’re all falling at the same time.

Conclusions

Will it worship? Yes!

I think worship songs should be accessible while still teaching us and challenging us to grow in our understanding of God and his word. This song emphatically does both. It is passionate in its worship of Jesus, and I love the way it anchors his glory and final victory in his redemptive work on the cross.

My only reservation with this song is its difficulty for the lead vocalist and band members. If your worship team is up for it, give it a go!

Image by Josh Eckstein from Unsplash

Scripture quotations are from the ESVĀ® Bible (The Holy Bible, English Standard VersionĀ®), Copyright Ā© 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

KING OF GLORY – Passion, Kristian Stanfill

/ Jason Henry / Leave a comment

Image by Robert Thiemann on Unsplash

Live from the Passion 2020 Conference, “King of Glory” is a peppy, encouraging call to worship. One of the high school students on my worship team recommended it to me, and I was immediately caught by the catchy instrumental hook, and then led to celebrate the power of God through the lyrics.

Focus

The clear focus here is the glory and saving power of God, followed by the awed praised that we and all creation bring as a response.

Lyric Analysis

VERSE 1
The writer addresses his soul, just like the psalmist in Psalm 42:5. Also like the psalmist, the answer to his discouragement is the hope and praise that result from God’s power and salvation.

VERSE 2
We can have peace even in life’s storms because Jesus is Lord over all of it. (Mark 4:35-41, John 14:27, John 16:33)

CHORUS
The chorus draws heavily on Psalm 24. In fact, the title “King of Glory” seems to me to be unique in Scripture to this Psalm. The Hebrew word for glory here is kabowd which has a range of meanings including abundance, riches, splendor, and honor. Kabowd is used to describe both people and God in the Old Testament. Whatever impressive things are included in its meaning, we can be confident that God exceeds all of it in splendor and is king over it all. The psalmist applies the title to Yahweh, Israel’s God, and the New Testament clearly teaches us that Jesus is that same God, so it is fitting to identify Jesus as the King of Glory (John 8:58, Philippians 2:6).
The next two lines allude to the same Psalm, where God is described as Israel’s savior, and strong and mighty in battle.
“Freedom is in his name,” doesn’t come specifically from Psalm 24, but it’s not an alien idea either. For the Israelite, freedom from the captivity in Egypt was the archetypal example of God’s saving power. In the New Testament, we see that our primary freedom in Christ is that we are set free from sin, death, corruption, and bondage to the spiritual forces of evil (Heb. 2:14-15, Rom. 8:2, Gal. 5:13). I think Psalm 24 even hints at this with its mention of vindication in verse 5.
“Open the gates of heaven” is pretty much from Psalm 24, though the gates there are more likely of Jerusalem, to allow the King into the city. I’m not particularly bothered by the inversion describing them as the gates of heaven, implying that God is coming out of his city to meet us rather than coming into ours. I think it’s the same idea.
Shouts of praise are everywhere in the Old Testament, especially in the Psalms.
The lion roaring here is obviously Jesus, the Lion of Judah (Rev. 5:5), not the devil (1 Peter 5:8). It’s interesting to me that lion symbolism throughout the Bible is split between good guys and bad guys. Lions are strong and deadly, equally able to tear you to bits or protect you from just about anyone who would harm you. Furthermore, Jesus’ title as the Lion of Judah refers back to Genesis 49:8-12, when Jacob blesses his son Judah with prophetic words about the Messiah who will come from his lineage.

VERSE 3
This verse is based on Psalm 121:1-2 with the added reminder that our help only comes from the Lord, and that we should stand in awe of him (Ps. 22:23, 33:8).

BRIDGE
Nations bow to God in Psalm 86:9, and everyone bows specifically at the name of Jesus in Philippians 2:10. Mountains quake before Yahweh in Nahum 1:5. Ephesians 1:20-21 says that Jesus is seated above every rule and authority and power and dominion; that sounds like reigning over all to me.

Accessibility

This song is clear and straightforward. Even unchurched people will be able to understand the declarations about Jesus being made here. I also like that this song specifically identifies Jesus as God, Lord, and King, worthy of praise and inspiring the awe of all creation.

Music

The dulcimer hook at the beginning is great, and I love the high-energy rubber-band arpeggiation in the background if you’ve got backing tracks. The drum beat is simple enough to emulate and keeps the song driving forward with excitement. The dynamic changes are swift, powerful, and attention-grabbing. I also like how the bass doubles the melody on the bridge. The instrumental channel from the bridge to the chorus provides a great opportunity to exhort your congregation.
The melody is easy and repetitive; congregations should have no trouble learning it.

Conclusions

Will it worship? Absolutely. We’re singing it this Sunday.
I think this song is best suited toward the beginning of your service, as it contains call-to-worship elements, and I always love starting our worship with some strong declarations about God’s character and power.