faithfulness

SAME GOD – Elevation Worship

/ Jason Henry / 1 Comment

“Same God” is the most popular track of Elevation Worship’s 2022 release LION. Its authors are songwriting veterans Brandon Lake, Chris Brown, Pat Barrett, and Steven Furtick. At a glance, this song is a plea for God to intervene in our lives as he did for biblical figures like Moses and Mary. It took me a while to figure out what drew me to the song initially, but I think it’s the way the lyrics lean into God’s faithfulness and our need for him. But is “Same God” Biblical, and should your band sing it this Sunday? Let’s take a closer look to make sure we’re leaning on the solid foundation of God’s character rather than just some catchy lyrics and imaginary promises.

Focus

This song is a declaration of our need for God. It’s also a celebration of his faithfulness to his people throughout Scripture. Nearly every set of three lines in the song consists of a plea for God’s help in our lives coupled with a foundation for that plea in an element of God’s character or something specific that he did in the Bible. The bedrock of this song is the promise that he is the same God, yesterday, today, and forever (Heb. 13:8).

This song is directed at God using a lot of “you” language. We address him most often as “God” and “Rock of Ages,” and we also call him a healer, a savior, and the God of Mary, Moses, Jacob, and David.

Lyric Analysis

VERSES
Both verses of “Same God” are split into two groups of three lines each. In the first line of each group, the authors call on the God of [insert Biblical figure’s name]. In the second line, they reference something that God did or a characteristic that he demonstrated in that character’s story. The third line is a request (sometimes implied) that he will continue to act that way on behalf of the singer.

Songs like this can easily fall into the trap of assuming that God will perform the same miracles for us that he did in the past (e.g. God is going to slay my “giants” because he slayed David’s), but I think “Same God” takes a more nuanced approach.

The first character referenced is Jacob, and the authors identify that God’s love endures through generations. Based on this characteristic, we express trust that he will keep his covenant. This reflects how God renews the covenant he made with Abraham with his grandson Jacob in Genesis 28:13-15. Notably, God highlights his own faithfulness in this passage, saying “I will not leave you until I have done what I have promised you.” When we sing this line as Christians in the 21st Century, we know that we have a new, better covenant with God through the blood of Jesus, and that he will never break it (2 Cor. 3:6).

Next we look at God’s work during the time of Moses. The authors say that God “opened up the ocean,” referring to the parting of the Red Sea (Ex. 14:29-30). (Yes, I know the Red Sea isn’t an ocean, but it’s technically an inlet of the Indian Ocean, so we can let it slide 😆.) God used this miracle to bring Israel out of slavery, so when we ask him to do the same thing for us, I think we need to consider it in that light. We’re asking him to bring us out of our own slavery to sin and death. In Christ, we are no longer slaves, but sons and daughters (Gal. 4:1-7).

In Verse 2, the authors reference Mary’s Magnificat in Luke 1:46-55. Three times in her short song of praise, she acknowledges God’s goodness for those of humble estate. The statement that nothing is impossible with God comes from the same chapter, when the angel Gabriel is foretelling the miraculous births of Jesus and John the Baptist (Luke 1:37).

Finally, we mention David and how God gave him courage to face Goliath. We see this courage clearly in David’s words to Saul, “The Lord who delivered me from the paw of the lion and from the paw of the bear will deliver me from the hand of this Philistine.” (1 Sam. 17:37) To be honest, seeing David and Goliath pop up in a worship song is usually a red flag for me. This story is one that we love to misapply. We love to see ourselves as David and our problems—physical or spiritual—as Goliath. The issue is that God doesn’t promise to smack all of our problems in the head with a rock. David went out to face God’s enemy, not the other way around. So while I don’t love the line “I’ve got my own giants,” I do love that the answer the song offers isn’t to ask God to kill all my giants, but to give me courage when I face them. When we look at David’s words, we see that his courage comes from total trust in God.

I’m not a huge fan of the bonus verse in the extended version of the song. I think it puts too much emphasis on the subjective experience of worship and insists that God make himself perceptible to us on our timetable, particularly with lines like “I feel your touch right now.” That’s one of the reasons I usually end the song after the two post-bridge choruses.

CHORUS
“Oh Rock, oh Rock of Ages
I’m standing on Your faithfulness”

The first three lines of the bridge are just expressing our need for God. Jesus understands our need and provides mercy and grace for us when we draw near to him and ask (Heb. 4:15-16). In the second half, we call him the Rock of Ages (Isaiah 26:3-4) because he is steady, trustworthy, and eternal.

To stand on God’s faithfulness is to believe and live as though his word and his promises are really true. Jesus tells us that part of this is doing his word, not just agreeing with it (Luke 6:47-49). So, if we really trust God’s faithfulness, we will obey his commands.

BRIDGE
The bridge of this song is more declarative than the verses. Instead of asking God for things, we are declaring that because he did a thing in the Bible, he continues doing that thing now. That’s not universally true. To prove this point, I will now make up some of my own bridge lines to see how quickly I can get myself in trouble:

“You cursed the fig tree then; you’re cursing fig trees now // You are the same God…”
“You mauled youths with bears back then; you’re mauling us right now // You are the same God…”

Jason Henry

Yikes! So just because God does something in the Bible, that doesn’t mean he’s necessarily still acting in the same way now. His character never changes, but some acts of God are limited to a certain time and place. So let’s look at each of these claims individually and see how they hold up.

He hears and answers prayer. This one is easy. God always watches his children and listens to our prayers (1 Pet. 3:12). Further, Jesus tells us in John 16:23-24 that whatever we ask for in his name, we will receive. There’s more that needs to be said about what it means to ask for something in the name of Jesus, but for the purposes of this song, we can clearly see that God hears and answers prayer.

He provides. Paul promises the Philippians that God will provide for all their needs (Phil. 4:19). Jesus also promises that when we fix our eyes on his Kingdom rather than earthly things, we can trust God to provide for our physical needs like food and clothing (Mt. 6:31-33).

He moves in power. I’m not sure if this phrase has a specific meaning in different church traditions, but I think anything God does is an exercise of his power. So this phrase just means that God still does powerful things today, whether you’re talking about obvious, physical miracles or the miracle of regeneration that God works in every believer when they turn to him.

He heals. Healing comes in many different forms, so calling God a healer isn’t the same as promising that he’s going to fix your broken tooth or heal your cancer. There are many miraculous healings throughout the Old and New Testaments, and churches believe differently about whether God still performs miraculous healings today. But even if you go to the most cessationist church ever would agree that we’re spiritually healed when we turn to Jesus (1 Pet. 2:24), all of our sicknesses, injuries, and griefs will be finally healed at the resurrection (Rev. 21:4), and God will ultimately bring peace and healing to the nations (Rev. 22:2).

He saves. God has always been and will always be a savior. This title occurs throughout the Old Testament, but becomes even more prominent when Jesus’ birth is announced (Lk. 1:46-48), and several of the Epistles use it in their benedictions (Jude 1:25). He is the only savior (Isa. 43:11). God’s salvation is the victory cry of heaven. (Rev. 19:1)

So, far from blindly assuming that because God did something once, we can expect him to do the same thing over and over again, “Same God” roots our expectations in God’s character, and we know that God’s character stays the same (Heb. 13:8). Every declaration we see here in the bridge is demonstrably and eternally true and based upon the Bible, even if some of them are a little vague and open to interpretation.

BRIDGE 2/SPONTANEOUS/OUTRO
This part of the song isn’t my favorite. It gets kinda long, so we usually quit at about 5:40. Lyrically, most of it is just spontaneous repetition of ideas we’ve already discussed, but there are a couple of new lines that I want to look at.

I like the line “You freed the captives then // You’re freeing hearts right now” because it links dramatic Bible stories of liberation like the Exodus to our present reality of being freed from sin and death through Jesus (Rom. 8:2).

I don’t love the line “You touched the lepers then // I feel Your touch right now” because I think it implies two promises that I don’t see in Scripture and that aren’t always true.* First, we don’t always feel God’s touch. We believe that he is always present with us (Mt. 28:20), but if Jesus and David experienced feeling forsaken and abandoned by God (Ps. 22:1, Mt. 27:46), why should we expect to feel his touch every time we gather to worship? Second, when Jesus touched the lepers, he healed them of their leprosy (Mt. 8:3), so I feel like this line implies immediate physical healing. There is no universal promise of immediate physical healing in the Bible, and not everyone who sings this song in worship will be healed of their physical ailments.

[*Update 4/16/25: I no longer think this line refers primarily to physical healing. Lepers in ancient Israel were considered unclean, and observant Jews were not supposed to touch them. If they did, the uncleanness would pass from the leper to the healthy person (possibly the disease too!). When Jesus touched the lepers, the opposite happened: holiness and life flowed out from him, healing disease and removing all the uncleanness. So this line in the song is primarily about God reaching out to touch us even in the midst of our sin, shame, weakness, and uncleanness, and imparting his holiness to us.]

Finally, we call on the Holy Spirit (bonus points for naming all three persons of the Trinity) and refer to him as an almighty river, asking him to fill us again. The river of life is a nice scriptural image that I think we can apply fairly to the Holy Spirit (Rev. 22:1, Jn. 7:38). Paul links being filled with the Spirit and singing together in Ephesians 5:18-19. In my mind, asking the Holy Spirit to fill me again is another way of surrendering again to the his influence and asking Him to work in and through my life. (Some churches will love or hate this line because of specific doctrines regarding being filled by the Spirit, so be aware of what your church teaches before you sing this part of the song.)

Accessibility

I think the words of this song are clear and direct. People who aren’t very familiar with the Bible will miss some or all of the references, but they explain themselves as they come up in the song, so I don’t think this is a problem for comprehension.

The only risk I can see here is that it’s easy to over-apply the promises and attributes of God listed in this song. The lyrics are sound (with the exception, in my opinion, of the bonus verse in the outro), but it is easy to see God’s identity as a healer and take that as a promise that my sickness or injury will be healed right now, or that the “giant” in my life will be shoved aside if I trust God hard enough. Again, I don’t think this is a weakness in the lyrics, just something to be aware of when we teach it to our congregations.

This song’s range of an octave and a fourth is a little wide for the average person, but that’s par for the course in contemporary worship.

Where “Same God” really excels is its easy-to-learn melody. The verses, the chorus, and the bridge each have a single line of melody that repeats over and over again with only small variations at the end of every third line. This makes it a super easy song for the congregation to sing along with, even on a first hearing. The verse has a lot of skips while the chorus and bridge are mostly stepwise, so the repetition doesn’t become boring. A+!

Music

Love the chill opening and the intimate first chorus. The toms really drive the pulse of this song in verse 2 and the second chorus, and the cymbal swell and dropout on the line “I’ve got my own giants” launches us musically and emotionally into our cry of need for God in the chorus. We drop back down for a quiet bridge that builds up. The classic worship leader strategy of singing the bridge down an octave and then jumping up as it gets louder is often maligned, but I think its an effective tool to build energy without confusing the congregation with an alternate melody, and congregants don’t have to jump octaves if they can’t or don’t want to. Like I mentioned earlier, I like to end the song after the bridge and two loud choruses so that it’s not eight minutes long. Additionally, if your worship team isn’t skilled at spontaneous singing, the closing instrumental will likely feel empty and awkward.

Nothing super difficult for the band here, just a few quick chord changes to keep an eye on. This is one song where I never have to remind the band about dynamics, because they are so natural that it’s difficult not to crescendo in the right places. If you’re not using a click, you’ll want to watch the tempo on some of those builds, since your drummer might get excited and speed up.

Conclusion

Will “Same God” worship? Definitely. My only concern with this song is the potential to misuse the scriptural promises in it, but that’s a problem to be addressed through sound theology and robust teaching on prayer, miracles, the Gospel, and the Holy Spirit, not something you can *fix* in a single song. This is an exciting anthem of the faithfulness of our God and I still get excited every time it’s on our setlist. If you’re not singing it yet, give it a shot!

Image by Zoltan Tasi from Unsplash

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

FIRM FOUNDATION (HE WON’T) – Cody Carnes, Chandler Moore, Maverick City Music

/ Jason Henry / Leave a comment

Image by Stephane Yaich from Unsplash

“Firm Foundation (He Won’t)” is the work of songwriters Austin Davis, Chandler Moore, and Cody Carnes. Carnes released it first as a solo single in 2021 and then in collaboration with Moore and Maverick City Music in 2022. I heard this song first in the fall when a friend shared it with me while I was going through a difficult time, having recently lost a couple of close family members. It was precisely the song I needed to hear and sing to God in my personal worship times. It felt like so many things in my life were shaking, and this song was a reminder of the solid foundation that I have in Jesus, who never fails. Here’s a look at the theology and music of “Firm Foundation (He Won’t).”

Focus

The clear focus of this song is Christ’s unfailing faithfulness. The choruses say over and over “he won’t fail” while the verses and bridge dwell on the peace the singer experiences in relying on Jesus.

Lyric Analysis

VERSE 1
“Christ is my firm foundation // the rock on which I stand”

Scriptural basis for calling Jesus our foundation is found in 1 Corinthians 3:11, where Paul tells the believers they are “God’s building” and says no matter who their teachers are, the only foundation worth building on is Jesus Christ. (This harks back to Jesus’ teaching in Luke 6:46-49 about building one’s house upon the rock, which we’ll discuss more in the bridge.) Paul says something similar in Ephesians 2:20, but here the teaching of the apostles and prophets is called the foundation, and Jesus is called the cornerstone, or the foundation of the foundation. Everything in the Bible, everything in our faith, everything in the Church, everything in our understanding of God, it all has to be built on Jesus.

God’s steadfast love is truly “faithful through generations” (Ex. 34:6, 1 Chron. 16:34, Ps. 36:5). Faithfulness is an unchanging, eternal aspect of God’s character (Rom. 3:2-4, Heb. 13:8, 1 Cor. 1:9). One of the central ideas throughout Scripture is the covenant, a solemn relationship between God and his people where both sides (usually) have promises and expectations to fulfill. God makes several covenants with his people in the Bible, and the short summary is this: we are never able to follow through and live up to our end of the deal, but God always upholds his end of the covenant (2 Tim 2:13, Deut. 7:9).

The line “he’s never let me down” is a little trickier to support, and I think it’s the line with the most potential for misunderstanding. It’s a central line to the meaning of the song, and I think it is a true, scriptural statement, even though it’s phrased in contemporary language rather than quoting a specific Bible verse. “He’s never let me down” is another way of saying he’s always kept his promises, always upheld his covenants.

But what about the times when we feel like God has let us down? First, we need to remember that just because we feel like God has let us down, it doesn’t mean that he has. God allowed horrible tragedies to befall Job and make him miserable. Job complained to God about it and challenged his fairness. God responds in Job 38-41 with a jaw-dropping list of things that God did in creation, or that he does now on a daily basis that are far beyond human ability or comprehension. At the end of it, Job is humbled and says in Job 42:2-3, “I know that you can do all things, and that no purpose of yours can be thwarted . . . Therefore I have uttered what I did not understand, things too wonderful for me, which I did not know.” So the first step in confronting our disappointment or anger with God at how things have gone is to recognize his greatness and wisdom. We can’t see the whole picture, and we need to trust that our God can, and that he cares for us. Even the worst things that happen to us in this life will ultimately be for our good, because God is in control and he cares for us (1 Pet. 5:7, Rom. 8:28).

CHORUS
This song is in the running for fewest lyrics in a chorus, and there’s a lot of competition for that title in the worship genre! The entire text is “he won’t fail.”

Scripture is clear that God never fails. I’ll quote Job 42:2 again because it’s so powerful and all-encompassing: “I know that you can do all things, and that no purpose of yours can be thwarted.” Isaiah 55:11 says that God’s word always succeeds in accomplishing his purpose for it. Hebrews 7:16 says that in Jesus is the “power of an indestructible life.” 2 Chron. 20:6 says that no one can stand against the Lord.

So what is this unfailing purpose of God? Ephesians 1:3-14 tells us. His purpose is to unite all things in heaven and on earth in Jesus, redeeming us by his blood and lavishing his grace on us, adopting us into his family and giving us an eternal inheritance with him, all sealed and guaranteed by the presence of his Holy Spirit in us. That’s great news!

VERSE 2

James and Peter agree that even in suffering, believers in Jesus have a source of joy (Jam. 1:2, 1 Pet. 1:8). Paul tells us that peace surpassing all understanding will guard us when we bring our concerns to God with thanksgiving (Phil. 4:6-7). “Going under” is an idiom for drowning, being utterly defeated, and those who trust in Jesus will not ultimately be defeated or put to shame (Ps. 25:2-3). We are upheld by God’s strength and his hand, not our own (Isa. 41:10). The rest of this verse repeats themes we’ve already discussed.

BRIDGE

“Rain came and wind blew // But my house was built on You“

All of “Firm Foundation (He Won’t)” draws thematically on Luke 6:46-49 and Matthew 7:24-27, but the bridge makes this connection even clearer. In this parable, Jesus says that those who hear and follow his teachings are like a wise man who lays the foundation of his house on solid rock instead of lazily building it on unstable surface dirt or sand. When storms and floods come, the house on the rock stands firm but the house on sand is destroyed.

The line “I’m safe with you” calls to mind Proverbs 18:10, which uses another biblical building metaphor: “The name of the Lord is a strong tower; the righteous man runs into it and is safe.”

So the bridge recognizes that we will be safe, not in the sense that we won’t experience storms and floods, but in the sense that we won’t be drowned or destroyed by them. Our guaranteed inheritance is with God in the coming new creation, not here and now on Earth (1 Pet 1:4).

Accessibility

I think this song is very accessible. It’s clear, emotional, and faithful to Scripture. The metaphor of our lives being built on Jesus is simple, but also deep and rich, something that speaks to the new believer and the seasoned saint alike.

Singing this song in spirit and in truth does require some understanding that God’s faithfulness is not a guarantee that we will not suffer in this life. God is often faithful to us by providing peace, joy, faith, and hope through our suffering rather than just giving us an easy way out of it. I think this song embraces that truth by talking about rain, wind , and chaos, and describing a response of faith during those trials.

“Firm Foundation (He Won’t)” also carries an unspoken caveat common to many songs about God’s goodness and his faithfulness: these wonderful promises are not guaranteed for everybody, only those who know and follow God. Who does Jesus say builds a house on the rock? Everyone “who hears these words of mine and does them” (Matt. 7:24). In fact, God’s faithfulness to his covenant with Israel also meant faithfulness to the covenant curses outlined in Deuteronomy 28 when they repeatedly chose disobedience. For the believer in Jesus, we can trust that even God’s discipline is an expression of his love, “for the Lord disciplines the one he loves, and chastises every son whom he receives” (Heb. 12:6).

Music

This song always fools me into thinking it’s “Graves into Gardens” during the intro. We start off with a standard guitar strum and the piano just plays the chord changes. The first musical moment that stands out is at the brief buildup/dropout at the end of verse 1 to emphasize the words “He won’t.” This is repeated in several places through the song. I also really love the swift chord changes on “go-ing un-der” in verse 2. It’s a really cool way to bring the bass into the song. This time, we get to sing a complete chorus and we’ve got some toms underneath to build energy. The following repeat of verse 1 is a nonstop snare build that really drives the faithfulness of God home and launches us back into a big “He won’t” chorus. From there (in typical worship song fashion) we drop down for a very chill, heartfelt bridge. The anthemic skips set this portion of the melody apart. The bridge builds into an instrumental channel that launches us into an even bigger chorus that abruptly dies down into an intimate acoustic-and-voices finale.

In my opinion, this song fuses familiar elements of current worship music with just enough innovation to make it unique while still blending well into the church library. This familiarity makes it easy to pick up and the innovations make it fun to sing. It’s repetitive and melodically simple enough that congregations should be able to learn it easily, and none of the instrumental parts are especially challenging. Just make sure you and your band drop out together in the right places and that your drummer is patient enough for a really long snare build or two!

(Having now done this song a couple times in worship, I will add that those walk-downs on “going under” and “around me is shaken” are pretty tricky. They’re tuplets, so they present a significant challenge for the band in getting the timing just right.)

Conclusions

Will it worship? For sure.

“Firm Foundation (He Won’t)” is really a meditation on Jesus’ parable about the wise builder. It explores the theme of suffering and trusting God’s faithfulness in the midst of trials. I think it will be easy for congregations to learn and meaningful for people at all levels of faith. This song is both a reflection on God’s faithfulness in the past and a breastplate of faith against future hardship. I am confident that it will be a blessing in churches that choose to sing it.

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.