Christmas

MANGER THRONE – Phil Wickham

/ Jason Henry / 3 Comments

“Manger Throne” is a new Christmas worship anthem from songwriters Phil Wickham, Jonathan Smith, and Tony Wood. The lyrics juxtapose Christ’s glory with his humility, his throne with his manger. The music paints those words with epic, sweeping accompaniment that feels like a return to the soundscapes I loved on 2010’s Heaven & Earth.

“Manger Throne” got lots of radio play in the 2023 holiday season, but is it a worship song? Are the words theologically sound and biblically accurate? What even is a manger throne? Do you sit on it or in it? And does Jesus still have one? Let’s find out!

Focus

The main idea of this song is the humility of Christ’s Incarnation. Phil explores this theme through the paradoxical image of a manger throne and by exploring the connection between the Christmas story and the story of Christ’s death and resurrection.

This song is fully Christ-centered. It is all about the person and work of Jesus, calling him by name and exalting him for his victory-through-humility.

Lyric Analysis

VERSES
(WARNING: I’m going to jump around a little bit to unpack this song thematically rather than in order. If that stresses you out, I apologize.)

The two verses of this song portray the same idea. Jesus had all power and authority at his disposal when he entered into our world, but he chose to come meekly, humbly, fully embracing our humanity by being born as a baby.

Jesus could have come into the world with a pillar of fire as in the Exodus (Ex 13:22) or perhaps the consuming fire that destroyed the blaspheming priests Nadab and Abihu (Lev 10:1-3). The same heavenly host that came to sing a song of peace at Christ’s birth might well have brought a sword instead (Lk 2:12-14, Gen 3:24). Jesus could have come as a conqueror to overthrow the oppressive yoke of Rome, force the submission of all the nations, and establish Israel’s political ascendancy as many expected him to do during his earthly ministry (Ac 1:6-7).

But, as verse two says, the story God wrote through the Incarnation is so much better! Rather than conquer through overwhelming force, Jesus humbles himself, emptying himself of his divine power. He becomes fully human, allowing himself to be embraced by common, lowly people—a carpenter, his wife, some shepherds—so that he might fully embrace all of our humanity (Phil 2:6-8).

PRE-CHORUS 1
“But You chose meekness over majesty//wrapped Your power in humanity”

These two lines are a perfect summary of the verses. It’s a succinct expression of Christ emptying himself to take on the form of a servant (Phil 2:6-8, again).

PRE-CHORUS 2
This section identifies the culmination of Christ’s humility. As we read in Philippians 2:8 (for the third time), Jesus’s humility did not merely extend to being born as a man. He submitted himself even to a humiliating, torturous death for our sake. Jesus’ blood redeems us to God and forgives our sins (Eph 1:7). And his resurrection is the power and the guarantee of our resurrection with him (Rom 6:5). I appreciate that this bridge views Christ’s work through the lenses of substitutionary atonement and his victory over sin and death.

BRIDGE
Here, we see the full arc of the Incarnation. Jesus was enthroned in heaven from eternity past, and then he willingly humbled himself to be born in a stable, cradled in a feeding trough. From the beginning of his life on earth, he lived humbly, and he did not refuse to submit to death on the cross. If we read just two more verses from Philippians 2, we see the result of all of Christ’s humility and submission: exaltation.

“Therefore God has highly exalted him and bestowed on him the name that is above every name, so that at the name of Jesus every knee should bow, in heaven and on earth and under the earth“
Philippians 2:9-10

Jesus’ reign and glory are achieved through self-sacrifice, humility, peace, and bringing all of humanity together in himself (Eph 2:14), not through violence, political maneuvering, manipulation, or any other scheme of man that has supported every other throne in human history.

CHORUS
“Glory be to You alone//King who reigns from a manger throne”

God alone is holy, worthy of worship, his name glorified forever (Rev 15:4). Jesus is both God and King (Heb 1:8, Phil 2:9-10), so it is right and good to offer him this glory.

It is also good to offer him our lives and our possessions, as we are called to be living sacrifices (Rom 12:1). This line is an expression of surrender. It’s aspirational in a sense, because I don’t know anyone whose life and possessions are fully surrendered to Jesus, but that doesn’t make it untrue. In singing this line, we call ourselves and one another to be more wholly devoted to our Servant King and his Kingdom of servants.

But what about the titular Manger Throne? Are we saying that Jesus was actively reigning over his kingdom from the manger even while he was a pre-verbal infant? That doesn’t quite make sense if he emptied himself and took the position of a servant (Phil 2:7). Or are we talking about Jesus’ present reign at the right hand of God? Does that throne need to be manger-shaped? Or maybe it’s made of reclaimed wood from the manger? Or maybe this is the future millennial reign?

Fortunately, we don’t need to tie ourselves into such knots over this song. The manger throne is a visual illustration of Jesus’ character and a symbol of his reign and kingdom, not a literal piece of furniture. Getting hung up on whether Jesus could be said to “reign” as an infant misses the point of the song because we’re not talking to tiny baby Jesus; we’re talking to the resurrected King Jesus who is present with us today as we worship him. This Jesus is fully God and sits enthroned, and he is also fully human, still characterized by the love and humility that led him to be born in a manger.

(Thank you to Vince and Neal on The Berean Test for some stimulating thoughts on this section of the song, and the image of the manger throne in particular!)

Accessibility

This song uses plain language to express the deep mystery of Jesus’ glory and humility, his Godhood and his humanity, perfectly one in the incarnate Son. It does a great job of making these heady theological ideas accessible through description and imagery, especially the key metaphor of the manger throne. I don’t see any room for misinterpretation.

Singability is ok, not great, not terrible. The range is an octave plus a 3rd, not bad. The rhythms of the verses are a little tricky, especially since no line starts quite the same way. The bridge also has a different melody on the repeat, so the congregation doesn’t have an opportunity to learn it and then repeat it the same way. That said, the chorus is very straightforward. It’s got a high note, but it can be sung an octave lower by the basses in the room.

Music

As I mentioned above, I love how this song feels like classic Phil Wickham. The use of synth and choir is lush, beautiful, and impactful. If you have those tools at your disposal, use them! I also appreciate that even though this is a Christmas song, it doesn’t slap you in the face with holiday cheer. It’s not all sleigh bells and minor 7ths and snow and reindeer. This song is perfectly appropriate to any Sunday of the year, especially if Christ’s incarnation is being discussed. We just played it this past Sunday, in June, and nobody batted an eye. (…but we did have to swap out some of the glittery Christmas backgrounds in ProPresenter!)

This is a great song for teaching dynamics to a worship band. It follows the typical structure of a quiet opening building to some bigger choruses and a huge ending. The way the instruments layer in gradually through the song is easy to replicate and makes this song flow naturally and in an engaging way. (Just don’t let anybody play when they’re not supposed to!) The chord changes come pretty quick in a few places, so it might be worth it to work through those together once or twice in rehearsal. If your lead singer isn’t a tenor, you may need to bump it down a step, and they will want to practice the entrances on the verses; those are tricky.

Conclusions

Let heaven and nature sing! “Manger Throne” definitely worships. It links Christ’s birth to his death, resurrection, and eternal reign. It teaches the theology of the Incarnation in a unique and valuable way through imagery. It’s also beautiful, emotional, and fun to sing and play.

10/10 would recommend!

Image by Pro Church Media on Unsplash

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

LITTLE DRUMMER BOY –  Katherine Kennicott Davis

/ Jason Henry / Leave a comment

Most of us are familiar with Bing Crosby‘s version of “The Little Drummer Boy,” and some of us grew up watching the stop motion television special with the same name. More recently, it’s been covered by the Pentatonix and for KING & COUNTRY. This song originates with the pen of Katherine Kennicott Davis in 1941, and it was first recorded ten years later by the Trapp family of Sound of Music fame (thanks, Wikipedia!).

But is “The Little Drummer Boy” biblically accurate, and should you sing it in church? Excellent questions! Many traditional Christmas songs are obviously not worship songs (looking at you, Frosty and Rudolph!) while others are eminently Christ-centered. This one is a little trickier because it seems to sit somewhere in the middle. Let’s imagine ourselves in the scene this song paints and ask, will it worship?

Focus

“The Little Drummer Boy” teaches the importance of bringing God our best, whatever that may be, and it does so through a simple fictional story of a poor boy playing a drum for baby Jesus in the manger.

This song isn’t addressed to God, and God isn’t the main subject. It’s primarily about the drummer boy and his gift. Jesus is portrayed as a poor, newborn king in a stable. Some versions call him Baby Jesus (or Jesu), but others just say “little baby.”

Lyric Analysis

VERSE 1
The first verse seems to be from the perspective of the wise men. Matthew 2:1-18 gives us their story in Scripture. As the song says, they had come to honor the baby king, and they offered him gold, frankincense, and myrrh, fine gifts indeed. So far, so good!

This verse also perpetuates the misunderstanding that the wise men came to visit baby Jesus at the manger. Matthew indicates that their visit took place at a house, not a stable, and Herod’s murder of all male babies in Bethlehem two years old and younger indicates that Jesus was likely a year or two old at the time. Is this an important error? I don’t know. I don’t see the harm in compressing the nativity story for narrative purposes, and I don’t think this inaccuracy has any practical or theological implications.

VERSE 2
Now we shift to the perspective of the little drummer boy himself. He’s a fictitious character inserted into the nativity story as a stand-in for ourselves. The drummer boy sees that baby Jesus is poor like he is, and he regrets that he has no gift to offer alongside the treasures presented by the wise men. I appreciate that this verse encourages us to identify with the poor, a regular concern of Christ and his disciples in the New Testament (Matt. 19:21, Luke 14:13, Rom. 15:26). In lieu of lavish gifts, the drummer boy can only offer his skill as a musician in worship.

VERSE 3
The author imagines Mary and the animals participating in the music. Again, fictitious, but harmless.

An important principle is presented in the line “I played my best for Him.” In the Old Testament, the Israelites were commanded that their sacrifices to God should be the best of their produce and livestock (Exo. 34:26, Num. 18:29). The New Testament teaches that in all our work we should strive for excellence, taking the perspective that our work is for the Lord, not merely for human masters (Col. 3:23-24).

Is response to the drummer boy’s gift, the baby Jesus smiles. This is reflective of Jesus’ attitude toward those who give generously out of their poor estate. In the story of the Widow’s Offering, Jesus elevates the humble gift of a poor widow above the large sums offered by the rich (Mark 12:41-43). Similarly, he honors Mary of Bethany for pouring out expensive perfume on him in worship rather than taking financial considerations into account (Mark 14:3-9). It seems clear that Jesus’ concern is the total offering of the heart in worship, not the monetary value of the gift.

Accessibility

This song uses a fictionalized version of a Bible story to make a simple point from the heart. I don’t think anyone who is paying attention will miss that. The message of giving the best that we have to Jesus instead of fretting about what we don’t have is easy for even a seeker or brand new believer to understand.

It is possible that someone could misinterpret this song as saying that God doesn’t want your money, just your worship or your talents or spiritual gifts. This would be an error. God wants your whole heart, and if he has your heart, your time, money, and talents will all become glad sacrifices (Matt. 6:21).

The repetitive melody and pa-rum-pum-pum-pums are easy to learn, and the whole song falls within the range of a minor 7th, so it is very singable.

Music

The song is short and has a simple 3-verse structure. Contemporary arrangements sometimes add instrumentals for added excitement. The tonicization in the middle of each verse adds tonal interest. This song can range from simple to very difficult depending on the arrangement chosen.

Conclusions

I’ve gone back and forth a few times while writing this post! At first, I thought this song would be a no. Then as I meditated on the line “I played my best for him,” and thought of the baby Jesus’ smiling on this offering like the adult Christ smiled on the widow’s offering, I changed my tune. God wants our hearts, and a heart devoted to Jesus will always offer him its best. This is an offering that God delights in. That is a timeless truth that bears repeating. Then I thought about whether this song is really to God or about God, and if I’m honest, it’s neither.

So, in summary, I think I have to give “Little Drummer Boy” a no for Sunday worship. Will it worship? Not really, though it might meditate. In my opinion, a kernel of truth couched in a cute fictional story isn’t the best use of the limited time we have to sing together on Sunday morning. But it is a beautiful kernel! If you’re looking for a Christmas Carol that expresses this idea more fully, I would encourage you to consider “In the Bleak Midwinter.”

In any case, our diminutive percussionist friend is a much better witness to Christ than either a nasally effulgent reindeer or an anthropomorphic snow creature, so let’s call it a soft no. 😉🎄

Image by Colin Lloyd on Unsplash

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.

IT CAME UPON THE MIDNIGHT CLEAR – Edmund H. Sears

/ Jason Henry / Leave a comment

Image by Joe Ciciarelli from Unsplash

Since it’s Christmas this week, we had our weekly rehearsal on Monday night instead of Thursday, so the words of this song have been bouncing around in my head since then. And boy are there a lot of them! “It Came Upon the (or “a”) Midnight Clear” is over 170 years old, and the poetry is pretty opaque. It . It’s easy to let classic hymn texts, and especially Christmas carols, fly under the radar unexamined, and it occurred to me that I wasn’t 100% sure what this one was saying, so I wanted to figure it out! There are also a bunch of different versions and covers of this carol, so instead of reviewing one of them, I’m just going to focus on unpacking the lyrics and let you pick whichever version suits you best. (…though we’re singing the MercyMe version this week and it’s a banger!)

Focus

The theme of this song is the “song” of the angels who announced Jesus’ birth: “peace on earth, goodwill to men.” It traces this song of peace from his birth through our present age, to the future new creation.

Lyric Analysis

VERSE 1
Here, the author sets the scene from Luke 2, when the angel announces Jesus’ birth to the shepherds. The only details we have from Scripture regarding the setting is that it was night and they were in a field. So the author is taking some poetic license in adding details like that it was midnight, or that the skies were clear, or that the angels were carrying golden harps (angels are never portrayed with harps in Scripture, though the elders in Revelation 5:8 carry them, so heavenly harpists are not entirely alien to the Bible). We also have no reason to believe that the world was literally waiting in solemn stillness to hear the angels’ message, but I think this line points to what Paul says in Romans 8:20-22, that all of creation is desperately longing for its redemption from sin and corruption.

The actual words of the angels’s song are the pivotal line of this carol, so I want to take extra care in examining them. They are mostly taken from the KJV translation of Luke 2:14, “Glory to God in the highest, and on earth peace, good will toward men.” But modern translations agree that this is based on a transcription error. ESV has, “Glory to God in the highest, and on earth peace among those with whom he is pleased!” and most other translations carry this same sense. The peace belongs to those who have God’s goodwill; they aren’t two unconditional gifts, but a gift and a condition. So how do you please God and qualify for the peace the angels are declaring? Faith in Jesus (Hebrews 11:6). God is eminently pleased with his son Jesus, and through the work of Christ, he takes on our sin, and we take on his righteousness (2 Cor. 5:21). And of course God is the gracious (Ps. 116:5) King of Heaven (Dan. 4:37), though this title is not present (that we know of) in the angels’ message to the shepherds.

To sum up, the message of the angels, around which the rest of the song revolves, “Peace on the earth, good will to men // From heaven’s all-gracious King,” is not exactly what the angels said to the shepherds in Luke 2, but it is a reasonable paraphrase, as long as one understands the caveat that the peace is available to all, but will not necessarily be received by all.

VERSE 2
Now we jump forward to present day. Or 1849 if you like. The author envisions the heavens as still open (“cloven” means split apart), and the angels as still proclaiming their message of peace over a sad and weary world. The word “angel” means messenger, and Hebrews 1:14 describes them as “ministering spirits sent out to serve for the sake of those who are to inherit salvation.” So while we don’t know much about the mechanics of how angels function in our world, they are certainly serving the spread of the Gospel of peace, the substance of their song as envisioned by this carol’s author.

I am very impressed by the line “ever o’er its Babel sounds.” The building of the Tower of Babel represents the peak of man’s pride and arrogance, and the result was a confusion of language that prevented mutual understanding and divided and scattered the people. This is such a rich and concise image of the strife and disunity in our present world, and a reminder that it is a result of our own sin and pride.

VERSE 3

This verse restates ideas from verse 2. Mankind has continued to engage in sin and strife, even though angels are singing love and peace over them. Clearly Mr. Sears was bad at math, because at the time of this song’s writing, it had only been 1,845ish years since the angels announced Christ’s birth to the shepherds, not 2,000. Fortunately, enough years have elapsed since then that we may now sing this line truthfully.

VERSE 4

In the final two verses, Mr. Sears urges us to look towards Christ’s second coming. He addresses the listener, toiling under the painful strain of living and working in our present world, and urges them to find peace in the promised rest of God. This rest is to be found now by looking forward to its total fulfillment in the age to come (Heb. 4:0-11).

VERSE 5

Now we focus fully on the future age when all believers will be united with Christ in the recreated and restored earth. The author calls this time the “age of gold,” and is correct in saying it is predicted by prophets, many of whom wrote in poetic forms. This is the time when peace will truly cover the earth (Isa. 65:25, Rev. 21:4, 22:22-27). Peace is ancient because it is the state in which creation existed before the fall (Gen. 1:31), and the specific message of peace through Christ is nearly as old, having been first hinted at all the way back in Genesis 3:15. In the new creation, the redeemed creation will finally perfectly reflect the divine vision of God and Man at peace.

Accessibility

I think most people who hear this song (and listen) will understand that it’s about Jesus’ birth, and the song of peace that the angels sang that night, and continue to sing over our struggles today, and that will be perfected in heaven. Many of the other theological gems in this song are hiding behind archaic language and require some heavy thinking to tease out. When singing this in church, I would stress that the peace the angels are singing about is the peace with God and Man that can only be found through Christ, not just a generic feeling of peace and goodwill untethered to the Gospel.

Conclusions

Will it worship? I hope so! But I have to give it a maybe. The message of peace on earth, now in part, fully in the age to come, all through the work of Jesus and his Spirit, is timeless and an essential part of the story of God. But this song is a little heavy on the peace and the angels singing about it, and a little light on mentions of the God who provides that peace. I pray that we present this and other classic Christmas carols in a way that points people toward the meaningful Gospel truths they teach, rather than letting people hear only nostalgia and holiday spirit.

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), Copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecutive verses of the ESV Bible or more than one half of any book of the ESV Bible.